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<channel><title><![CDATA[f.O.N.T - WORDS + IDEAS]]></title><link><![CDATA[http://www.font.net.nz/words--ideas]]></link><description><![CDATA[WORDS + IDEAS]]></description><pubDate>Fri, 03 Apr 2020 20:00:54 -0700</pubDate><generator>Weebly</generator><item><title><![CDATA[Scoop Autumn 2014]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/scoop-autumn-2014]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/scoop-autumn-2014#comments]]></comments><pubDate>Tue, 24 Jun 2014 22:58:47 GMT</pubDate><category><![CDATA[Design]]></category><category><![CDATA[NZ]]></category><category><![CDATA[Scoop]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/scoop-autumn-2014</guid><description><![CDATA[ Scoop's autumn issue is available to read online. See page 92 for the New Zealand section of the global review, a feature I've been putting together for eight years. It feeds my love of design and justifies hours of web surfing design blogs.&nbsp;  [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:left;height:0px'></span><span style='z-index:10;position:relative;float:left;max-width:100%;;clear:left;margin-top:0px;*margin-top:0px'><a href='http://www.scoop.com.au/Magazines/Scoop-Homes-and-Art'><img src="http://www.font.net.nz/uploads/6/9/0/1/6901680/511088.png" style="margin-top: 5px; margin-bottom: 10px; margin-left: 0px; margin-right: 10px; border-width:0;" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: block; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;">Scoop's autumn issue is available to read <a href="http://www.scoop.com.au/Magazines/Scoop-Homes-and-Art" title="">online</a>. See page 92 for the New Zealand section of the global review, a feature I've been putting together for eight years. It feeds my love of design and justifies hours of web surfing design blogs.&nbsp;</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item><item><title><![CDATA[Thinking book]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/thinking-book]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/thinking-book#comments]]></comments><pubDate>Mon, 23 Jun 2014 22:50:27 GMT</pubDate><category><![CDATA[Content Marketing]]></category><category><![CDATA[publishing]]></category><category><![CDATA[Strategy]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/thinking-book</guid><description><![CDATA[ I am the co-ordinator and writer of the award-winning&nbsp;Thinking&nbsp;book for Strategy Design and Advertising.&nbsp;Each issue contains in-depth articles, snapshots of recent work and extended case studies. It's a great example of how editorial-style content can inspire customers and give them some value, while also telling them more about what you do. I think this kind of content-driven marketing will win out in 21st century ad-land.  [...] ]]></description><content:encoded><![CDATA[<span class='imgPusher' style='float:right;height:0px'></span><span style='display: table;z-index:10;width:auto;position:relative;float:right;max-width:100%;;clear:right;margin-top:0px;*margin-top:0px'><a><img src="http://www.font.net.nz/uploads/6/9/0/1/6901680/642399197.jpg" style="margin-top: 5px; margin-bottom: 10px; margin-left: 10px; margin-right: 0px; border-width:1px;padding:3px; max-width:100%" alt="Picture" class="galleryImageBorder wsite-image" /></a><span style="display: table-caption; caption-side: bottom; font-size: 90%; margin-top: -10px; margin-bottom: 10px; text-align: center;" class="wsite-caption"></span></span> <div class="paragraph" style="text-align:left;display:block;">I am the co-ordinator and writer of the award-winning&nbsp;<a href="http://www.strategy.co.nz/thinking" title="">Thinking</a>&nbsp;book for Strategy Design and Advertising.&nbsp;Each issue contains in-depth articles, snapshots of recent work and extended case studies. It's a great example of how editorial-style content can inspire customers and give them some value, while also telling them more about what you do. I think this kind of content-driven marketing will win out in 21st century ad-land.</div> <hr style="width:100%;clear:both;visibility:hidden;"></hr>]]></content:encoded></item><item><title><![CDATA[Lyttelton quake]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/lyttelton-quake]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/lyttelton-quake#comments]]></comments><pubDate>Wed, 16 Mar 2011 23:49:13 GMT</pubDate><category><![CDATA[architecture]]></category><category><![CDATA[community]]></category><category><![CDATA[culture]]></category><category><![CDATA[earthquake]]></category><category><![CDATA[heritage]]></category><category><![CDATA[lyttelton]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/lyttelton-quake</guid><description><![CDATA[For Heritage Magazine, a look at my home town just after the devastating 2011 earthquakes.&nbsp;Three weeks after the February 22nd quake and Lyttelton &ndash; the town at the epicentre - is still awash with rubble. Red volcanic stone walls, built over a century ago by hard labour gangs, have crumbled onto the streets and footpaths. The commercial zone of Norwich Quay is virtually uninhabited. One of the most-captured images of the town is a Norwich Quay caf&eacute; &ndash; it&rsquo;s fa&ccedil; [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">For Heritage Magazine, a look at my home town just after the devastating 2011 earthquakes.&nbsp;<br /><br />Three weeks after the February 22nd quake and Lyttelton &ndash; the town at the epicentre - is still awash with rubble. Red volcanic stone walls, built over a century ago by hard labour gangs, have crumbled onto the streets and footpaths. The commercial zone of Norwich Quay is virtually uninhabited. One of the most-captured images of the town is a Norwich Quay caf&eacute; &ndash; it&rsquo;s fa&ccedil;ade completely collapsed, a Subaru Legacy completely flattened under the bricks and the first floor sitting rooms laid bare and exposed like a doll&rsquo;s house. Down Norwich Quay and up around the corner onto Oxford Street are red stickers &ndash; too many to count. Steel fences barely contain the rubble.<br /></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">Heritage Magazine<br />by Kris Herbert&nbsp;<br /><br /><span style=""></span> In this limited panorama, the news reports of Lyttelton&rsquo;s &ldquo;utter decimation&rdquo; echo strongly. But these damaged buildings are only a fa&ccedil;ade. And you don&rsquo;t have to go far to find that the town&rsquo;s heart and soul are very much alive.<br /><br /><span style=""></span> &ldquo;Kia Kaha Lyttelton&rdquo; reads a hand-stitched fabric bunting on the safety fence outside the Royal Hotel. A group of people sit in a circle on the footpath near the corner of London and Canterbury Streets. Kids and grandmothers, trendy musicians and out-of-work school teachers use old woollen blankets, buttons and bright-coloured embroidery cotton to stitch heart-shaped badges and adornments for the bleak, ubiquitous fences.<br /><br /><span style=""></span> The Lyttelton Coffee Company building is inside the fences of the London Street cordon, but the caf&eacute; itself has hardly missed a beat, thanks to co-owner Stephen Mateer, who got the Army to rescue the roaster and set up a makeshift caf&eacute; to serve up free coffee and a vital meeting place for the people who have refused to leave.<br /><br /><span style=""></span> Lytteltonians are now happily paying for their coffee, gathering and chatting and laughing in this al-fresco caf&eacute; - proving that this community is not defined by its buildings.<br /><br /><span style=""></span> Local radio is broadcasting, a volunteer alternative high school is operating and the Lyttelton Street Party, planned for 26 February went ahead, even without the street.<br /><br /><span style=""></span> Though much of the bricks and mortar that marked one aspect of Lyttelon&rsquo;s past will be lost, most of the historic wooden houses remain. The geography of the extinct volcanic caludron will continue to delineate and define the town.  And the spirit that inhabits this place is, if anything, stronger than ever.<br /><br /><span style=""></span> History shows that Lyttelton has rebuilt before. Over 162 years, the town has adapted and evolved, grown and shrunk, failed and succeeded.  <br /><br /><span style=""></span> The idea of Lyttelton port and township was conceived in 1847 by Edward Gibbon Wakefield and John Robert Godley as part of their planned programme of systematic colonisation. The town plan was drawn up in London &ndash; a traditional grid pattern that took little of the town&rsquo;s steep geography into account.<br /><br /><span style=""></span> By the time the First Four Ships arrived in 1850, there were 300 people and 30 buildings in the port. These early buildings were mostly Colonial Georgian style timber cottages. By 1868, the population had grown to 1400.  <br /><br /><span style=""></span> In October 1870, New Zealand&rsquo;s worst urban fire ever struck Lyttelton. It started at the Queens Hotel and a wild norwest wind fanned it rampantly through the closely-packed timber buildings. With a lack of accessible water, the volunteer fire brigade could do little. Miraculously, no lives were lost but 75 buildings were destroyed. When the town slowly rebuilt, stone and brick were the preferred materials.<br /><span style=""></span><br /><span style=""></span> Last year, Lyttelton became one of the largest historic areas to be listed on the NZHPT Register. The brick commercial zone is only one part of the listing, which also includes the pedestrian walkways and steps that link the town&rsquo;s streets, the 19th century timber cottages, the cemeteries, former goal site, the brick barrel storm water system under the town and the streetscape and views to and from the crater rim, the port and the harbour. These things are all intact. As is the community.<br /><span style=""></span><br /><span style=""></span> Margaret Jeffries is the chair of Project Lyttelton, a grass-roots community group with a vision for developing Lyttelton as a vibrant, sustainable community. Margaret describes Lyttelton as a &ldquo;connected community where people look out for one another, without any judgment&rdquo;. <br /><span style=""></span><br /><span style=""></span> &ldquo;It is a vibrant community that is quirky, has lots of ideas, is diverse, is moving towards sustainability and is very vocal - all of these attributes have put us in a good situation for coping with this earthquake.&rdquo;<br /><br /><span style=""></span> Looking forward, Margaret says, &ldquo;There is an excitement in the town as to what the new heritage we create might be. There is much talk that we do this in an environmentally sound and sustainable way &ndash; that we want to explore options that are more out on the edge rather than simply and speedily putting up tilt slab block buildings.&rdquo;<br /><br /><span style=""></span> If Lytteltonians are vocal, then writer Joe Bennett is perhaps one of the town&rsquo;s most outspoken and most well-spoken residents. He has called the port home for 23 years.<br /><br /><span style=""></span> &ldquo;I've always liked its striking location - the inside of a volcano, everything overlooking the port, the size of the place dictated by the gaunt impassive crater. And I like its mix of people. Ports are cosmopolitan places, rough but tolerant. Architecturally, the best of it for me has always been the little weatherboard cottages. The big buildings, the ones I'm supposed to revere, do little for me.&rdquo;<br /><br /><span style=""></span> Post-quake, the people are still there and so are the weatherboard cottages, by and large.  <br /><br /><span style=""></span> Joe&rsquo;s vision for the future is bold: &ldquo;Here&rsquo;s a chance to do something startling. I'd like it to look more like it did in 1869 than in 2009. Timber. Verandahs. Low. Human. Vibrant. Bowl London Street, Norwich Quay and the area between. Turn the area between the two streets into a pedestrian entertainment precinct.&rdquo;<br /><br /><span style=""></span> Lyttelton&rsquo;s history shifted course on February 22, 2011 - the event itself a bold mark on the timeline. But heritage doesn&rsquo;t exist only in the past. It is being created today and it will evolve into tomorrow. It&rsquo;s not often that a town gets a chance to put its mark so solidly on the future. The people of Lyttelton are eager for the challenge. In 100 years, they hope their grandchildren will look back and say they were bold and wise and clever.<br /><span style=""></span><br /><span style=""></span></div>]]></content:encoded></item><item><title><![CDATA[Idealog.co.nz - Post-quake creativity]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/idealogquake]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/idealogquake#comments]]></comments><pubDate>Mon, 28 Feb 2011 07:02:35 GMT</pubDate><category><![CDATA[architecture]]></category><category><![CDATA[Design]]></category><category><![CDATA[idealog]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/idealogquake</guid><description><![CDATA[Just as Christchurch was struck by a magnitude 6.3 earthquake on 22 February, my article on the creative re-build of the city was at the Idealog printers. At first I cringed, because the scale of destruction on the second quake was so much greater but now I can see that the&nbsp;essence&nbsp;of the debate is still relevant.Read the full story here:http://idealog.co.nz/magazine/32/after-shock [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">Just as Christchurch was struck by a magnitude 6.3 earthquake on 22 February, my article on the creative re-build of the city was at the Idealog printers. At first I cringed, because the scale of destruction on the second quake was so much greater but now I can see that the&nbsp;essence&nbsp;of the debate is still relevant.<br />Read the full story here:<a href="http://idealog.co.nz/magazine/32/after-shock" target="_blank" title="">http://idealog.co.nz/magazine/32/after-shock</a><br /></div>]]></content:encoded></item><item><title><![CDATA[Kickboxing]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/kickboxing]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/kickboxing#comments]]></comments><pubDate>Wed, 05 Jan 2011 23:26:20 GMT</pubDate><category><![CDATA[culture]]></category><category><![CDATA[sport]]></category><category><![CDATA[staple]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/kickboxing</guid><description><![CDATA[Just dug this one out of the archive - a story about female kick-boxing fights in Christchurch for Staple Magazine. Good old Staple. It was good mag.      By Kris HerbertStaple, 2005Harry's pub. Saturday night. I'm trying to look cool while I suss out the crowd. Who the hell pays $35 to see people bleed, I'm wondering. Hundreds of people have packed into the room adjoining the 24-hour pokey bar for one of Christchurch&rsquo;s few live fights. There are kickboxers, people who know kickboxers and  [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">Just dug this one out of the archive - a story about female kick-boxing fights in Christchurch for Staple Magazine. Good old Staple. It was good mag.<br /><span></span></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">By Kris Herbert<br />Staple, 2005<br />Harry's pub. Saturday night. I'm trying to look cool while I suss out the crowd. Who the hell pays $35 to see people bleed, I'm wondering. Hundreds of people have packed into the room adjoining the 24-hour pokey bar for one of Christchurch&rsquo;s few live fights. There are kickboxers, people who know kickboxers and people who wish they were kickboxers.<br /><br />Next to me is Laura Marsh, a clothing designer and fine arts student. She's here because here little sister is taking on a Maori mother four from Dannevirke in the fifth fight. And on my right is her dad, David, who's flown from Dunedin to see his daughter fight for the first time.<br /><br />Sitting nervously in his&nbsp;navy overcoat and scarf, Mr Marsh is a comical contrast to the skinny, short-haired guy screaming obscenities at the end of our row. One round into the first fight, Mr Marsh leans across me to ask Laura&rsquo;s is winning. Laura shrugs.<br /><br />Suzanne Marsh doesn't know her dad is in the audience. The 23-year-old&nbsp;natural resource engineering student is out the back, her shoulder length blond hair pulled into neat corn rows. She's spent half the day tracking down the perfect intro music, which turned out to be Hit &lsquo;Em High, Hite &lsquo;Em Low by&nbsp;Cyprus Hill. Now her eyes are greased with Vaseline to keep the skin from splitting under the impact of a punch. But even with a mouth guard and big red gloves, she&rsquo;s not very scary.<br /><br />Suzanne can't hear the announcer's intro. "In the red corner, from Academy Combat, the women's middleweight Thai boxing champion of New Zealand. Please welcome Suuuuusan Marsh."<br /><br />It's an impressive intro. Too bad he got her name wrong. But she's got a friends in the audience and when the sweet looking blond appears with a look of intense focus on her face, the crowd goes wild. Her opponent is waiting.<br /><br />Live fights in Christchurch are rare because, despite high participation number in Thai boxing classes,&nbsp;there aren't&nbsp;many people willing to take it into a live ring. There are around 30 matches a year in New Zealand, but only one or two of these are in Christchurch, and most of the opponents have to be flown in from the North Island.<br /><br />Suzanne&rsquo;s coach looks like the real deal &ndash; like a tough guy from an 80s karate movie. He&rsquo;s not so intimidating when you learn he&rsquo;s actually a well-spoken molecular biologist called Geoff who wants to promote kickboxing as a family event.<br /><br />This one certainly is, though I&rsquo;m not sure how happy Suzanne&rsquo;s dad is to see his little girl taking &ndash; and serving - blows in the ring. Her mum, Annette, hasn&rsquo;t been to see her fight &ndash; can&rsquo;t bear to see her baby get hurt.<br /><br />But Laura is a regular fan. She and her other sister Adiranne saw Suzanne fight for the first time in 2003. &ldquo;The build up was so nerve racking,&rdquo; Laura remembers. &ldquo;Then she rocks out with some big romper-stomper, big beat tune and everyone was screaming for her like she was some kind of rock star. When she started fighting, Adrianne and I were screaming at the top of our lungs and she just kicked the other chick&rsquo;s ass. We totally just discovered another side to Suzanne that we&rsquo;d never seen before.&rdquo;<br /><br />Suzanne only recently discovered it herself. Laura says Suzanne was the least confident of the Marsh sisters &ndash; until she took up kickboxing. &nbsp;<br /><br />&ldquo;I have definitely grown more confident in everything I do and even the discipline it requires has helped me progress in other areas of life,&rdquo; Suzanne says. &ldquo;Instructing has also given me heaps of character building experiences especially dealing with guys who find it difficult being taught to punch by a girl! I have learnt my strengths and weakness and I also know my limitations.&rdquo;<br /><br />But going to the gym and swatting leather bags is a far cry from taking your fists to a mother of four in front of hundreds of people. Suzanne&rsquo;s decision to get into the ring was about the challenge.&nbsp;<br />It&rsquo;s not always easy for her to find an opponent. There are only about 300 competitive kickboxers in New Zealand. Most of them are in the North Island and a lot of them are men. Opponents must be matched to within 3kg.&nbsp;<br />But tonight Suzanne has a fight and from the beginning, she has the upper hand. Even though everything I know about kickboxing I learned from Jean-Claude van Damme, I can tell that Suzanne has got more moves and better fitness.<br />Suzanne says success in the ring is a fine balance between self-confidence and respect for your opponent. &ldquo;It&rsquo;s important to not get cocky or to be afraid. It&rsquo;s a fine line but fall either side of it and you&rsquo;re almost guaranteed to lose.&rdquo;<br />Between rounds Geoff with his forehead pressed to Suzanne&rsquo;s and he talks a steady stream of instructions and encouragement at her.&nbsp;<br />Kickboxing, or Muay Thai Boxing comes from &ndash; you guessed it &ndash; Thailand, where it evolved from self-defence to sport. Today, it ranks with soccer as one of the most closely followed sports in the country. Characterised by furious punches, crushing elbow blows and powerful kicks, Muay Thai Boxing is fought in five, three-minute rounds with two-minute breaks in between.<br />The night also includes three Vale Tudo matches. This is hard-core, no holds-barred cage fighting. The fighters wrestle each other to the ground and then bash the shit out of each other. I can barely watch.&nbsp;<br />After the full five rounds, Suzanne is declared the winner of her fight. She permits a smile as her glove is held high by the referee. In the third row, Laura&rsquo;s dad relaxes noticeably.<br /></div>]]></content:encoded></item><item><title><![CDATA[Now you can fly.]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/now-you-can-fly]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/now-you-can-fly#comments]]></comments><pubDate>Sat, 06 Nov 2010 07:16:08 GMT</pubDate><category><![CDATA[business]]></category><category><![CDATA[idealog]]></category><category><![CDATA[profile]]></category><category><![CDATA[publishing]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/now-you-can-fly</guid><description><![CDATA[What could possibly lure someone away from a lucrative, prestigious, globe-trotting career in management consulting? Disillusioned by the prospect of spending years continuing to chase the bottom line, Kate Bezar decided to feed the starved creative side of her brain instead. Putting values before profit, she set out to create something that resonated with ordinary people. Dumbo feather, pass it on, is unique in the publishing world; the half-magazine, half-book features the stories of five uniq [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">What could possibly lure someone away from a lucrative, prestigious, globe-trotting career in management consulting? Disillusioned by the prospect of spending years continuing to chase the bottom line, Kate Bezar decided to <a href="http://usuite.com/mail/TAT3NhdR9EwXFPQ8F6s.link" style=""><strong style="">feed the starved creative side of her brain instead</strong></a>. Putting values before profit, she set out to create something that resonated with ordinary people. <em style="">Dumbo feather, pass it on</em>, is unique in the publishing world; the half-magazine, half-book features the stories of five unique individuals in their own words. Her story is proof that if you follow your gut, the money will follow.<br /><br />Online at idealog.co.nz<br />    </div>]]></content:encoded></item><item><title><![CDATA[b-Guided: Sam Neil]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/b-guided-sam-neil]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/b-guided-sam-neil#comments]]></comments><pubDate>Mon, 01 Mar 2010 00:06:01 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/b-guided-sam-neil</guid><description><![CDATA[A chat about wine, milk and celebrity with actor Sam Neil.&nbsp;      The drive from Queenstown to Sam Neill&rsquo;s Two Paddocks vineyard takes you through some of the country&rsquo;s most spectacular landscapes and back at least a half a century.   I arrive at the Redbank property almost 20 minutes late, thanks to road delays at the Nevis Bluff.   There is a 1947 Chevrolet truck parked in the shingle drive. The gold tinge of the leaves betray what could otherwise be mistaken for a full summer  [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">A chat about wine, milk and celebrity with actor Sam Neil.&nbsp;</div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">The drive from Queenstown to Sam Neill&rsquo;s Two Paddocks vineyard takes you through some of the country&rsquo;s most spectacular landscapes and back at least a half a century.  <br /><br /><span style=""></span> I arrive at the Redbank property almost 20 minutes late, thanks to road delays at the Nevis Bluff.  <br /><br /><span style=""></span> There is a 1947 Chevrolet truck parked in the shingle drive. The gold tinge of the leaves betray what could otherwise be mistaken for a full summer day. Vines stretch out towards the valley while lavender bushes and fruit trees rise up the gentle slope to the damn.<br /><br /><span style=""></span> Two Paddocks manager Mark Field greets me and leads me into the office. Sam is bent over a desk and turns to greet me quickly. &ldquo;I&rsquo;m terribly busy,&rdquo; he says, &ldquo;We get up at dawn and go to bed exhausted.&rdquo;<br /><br /><span style=""></span> When he turns back, I see that he is writing a postcard.  <br /><br /><span style=""></span> His humour is as dry as the sun-scorched Central Otago hills. And so is my throat after a dusty drive through them. Sam pours me a glass of water while I pull up a chair. He speaks slowly and thoughtfully and rarely makes eye contact.<br /><br /><span style=""></span> We get the formalities out of the way first. It is New Zealand, so we search out our one-degree-of-separation. It doesn&rsquo;t take long.<br /><br /><span style=""></span> &ldquo;You&rsquo;ve come from Lyttelton?&rdquo; he asks. &ldquo;Yes,&rdquo; I answer. &ldquo;I know your sister and your niece.&rdquo;<br /><br /><span style=""></span> More formalities ensue. He&rsquo;s pleased with the hot weather. It&rsquo;s good for the vines, which are still catching up after a cool, wet summer.<br /><br /><span style=""></span> Sam has been in the news this morning, the New Zealand Herald reporting his opposition to cubicle dairying in the Mackenzie Country. He&rsquo;s been asked to go on Saturday Morning with Kim Hill but he&rsquo;s hesitant.  <br /><br /><span style=""></span> &ldquo;I&rsquo;m not good at thinking on my feet and I don&rsquo;t like radio because you can&rsquo;t take anything back,&rdquo; he says.<br /><br /><span style=""></span> Yet this issue is worth speaking up for.<br /><br /><span style=""></span> &ldquo;You&rsquo;ve got to put your hand up once in a while,&rdquo; he says. &ldquo;I don&rsquo;t do it often but this proposal is infuriating. It&rsquo;s dry land and it should be dry farmed if at all.&rdquo;<br /><br /><span style=""></span> The large-scale dairying proposal includes three companies proposing to house almost 18,000 dairy cows in cubicle sheds. The hearing had just begun and Sam had put his voice to a group called the Mackenzie Guardians, which includes former poet laureate Brian Turner and artist Grahame Sydney.<br /><br /><span style=""></span> The group estimates that the proposal would create as much waste as Christchurch city.<br /><br /><span style=""></span> &ldquo;The equivalent of waste from a city of 400,000 people going into that fragile ecosystem every day - to my mind, that&rsquo;s vandalism. Corporate vandalism.&rdquo;<br /><br /><span style=""></span> In its report, The Herald has referred to him as &ldquo;Hollywood Star Sam Neil&rdquo;, but I imagine that reference would make him wince.<br /><br /><span style=""></span> I ask if he sees himself as a celebrity. &ldquo;Dear God, no. Why would anyone want to be that? I&rsquo;m a reasonably successful non-entity. I&rsquo;ve certainly never chased fame. I&rsquo;ve never had a publicist.&rdquo;<br /><br /><span style=""></span> The celebrity culture is baffling to Neill. &ldquo;When I go to the dentist, I look through the magazines and I don&rsquo;t know who any of those people are. Some of them look quite nice in a frock but I&rsquo;ve got no idea who they are.&rdquo;<br /><br /><span style=""></span> I suggest that New Zealand is a bit insulated from the celebrity culture but Neill disagrees. &ldquo;It&rsquo;s rife in New Zealand. Auckland is full of celebrities.&rdquo;<br /><br /><span style=""></span> But not Alexandra.  <br /><span style=""></span><br /><span style=""></span> &ldquo;Every now and then someone might toot the horn and say &lsquo;Hi Sam&rsquo;. I usually know them.&rdquo;<br /><br /><span style=""></span> After a very busy 2009, Sam is enjoying some time off to enjoy life as a Central Otago local.  <br /><br /><span style=""></span> &ldquo;I do quite a bit of fishing,&rdquo; he says. &ldquo;We take a few bottles of wine, for testing purposes only. We need to find out if it drinks well at high elevations and after being carried around in your backpack all day. We also need to see if it measures up to the grandeur of the surroundings.&rdquo;<br /><br /><span style=""></span> It would be most unacceptable to drink average quality grog amongst the spectacular landscapes of Central Otago.<br /><br /><span style=""></span> An appreciation of alcohol run&rsquo;s in Neil&rsquo;s blood. &ldquo;I come from generations of fine boozers,&rdquo; he says.<br /><br /><span style=""></span> The family business, Neill &amp; Co, was a wine and spirit merchant. Sam&rsquo;s father, Dermot Neill, was also a military man. Sam was born Nigel Neill in 1947 while his father was stationed in Northern Ireland.<br /><br /><span style=""></span> In 1954, the family returned to New Zealand and Dermot moved into the family business. There were several Nigel&rsquo;s at school, so Nigel became nicknamed &ldquo;Sam&rdquo; and it stuck.<br /><br /><span style=""></span> So, was it a return to his boozing roots that motivated Neill to start a vineyard? No, he says, it was almost an accident.<br /><br /><span style=""></span> &ldquo;I bought some land, planted some vines. I never had a plan, just like the rest of my life. It&rsquo;s bigger than I intended.&rdquo;<br /><br /><span style=""></span> I get the feeling his film career is also bigger than he intended. Certainly bigger than he expected.<br /><br /><span style=""></span> &ldquo;I never had any ambitions for anything,&rdquo; he says. <br /><br /><span style=""></span> Neill started acting at high school in Christchurch but he never had any formal education. &ldquo;I always thought acting would be a cool thing to do but when I left school there was so little work. There were only half a dozen people who could make a living from acting. When I did some plays at the Downstage Theatre in my last year at uni, I was paid $30 a week and we did six performances a week. $30 plus a free dinner and it was always the same &ndash; it was always mash potatoes and beef stew.&rdquo;<br /><br /><span style=""></span> Neill moved to Wellington and got a job at the National Film Unit. He worked as an editor, a writer, a narrator and eventually the director of documentaries.<br /><br /><span style=""></span> His big acting break came in 1977, when he starred in Roger Donaldson&rsquo;s Sleeping Dogs. The first New Zealand film to be released in America, Sleeping Dogs caught the attention of Australian casting director Margaret Fink, who got Neill an audition for a film called My Brilliant Career. When he landed the part, Neill resigned from the Film Unit and took up acting full time, going on to star in many, many films, including Jurassic Park, The Horse Whisperer and The Piano.<br /><span style=""></span><br /><span style=""></span> Not at a bad career for someone with no ambition. He is characteristically modest: &ldquo;I&rsquo;m still here. I think I&rsquo;m durable and reasonably useful. I&rsquo;m not a specialist. I&rsquo;ve also had a great deal of luck. I&rsquo;ve been the right places at the right time.&rdquo;<br /><br /><span style=""></span> Though he&rsquo;s been enjoying some much-deserved time off, Neill is in no sense slowing down. &ldquo;I never want to hang up my boots. I can&rsquo;t imagine anything worse.&rdquo;<br /><br /><span style=""></span> The pay has improved dramatically since his days at Downstage but Neill says he also loves the camaraderie of working on a film and the experience of travelling to new locations.  <br /><br /><span style=""></span> &ldquo;I love the family feel you get from a being with a bunch of people for three to six months. And occasionally, I get to work with directors who are really fantastic and do work that I&rsquo;m really proud of.&rdquo;<br /><br /><span style=""></span> I ask what he is most proud of but he is diplomatic. &ldquo;I can&rsquo;t single anything out because then there are people who get upset because they haven&rsquo;t been singled out.&rdquo;<br /><br /><span style=""></span> Neill has always been a great supporter of the New Zealand film industry, most recently starring in Jonathan King&rsquo;s Under the Mountain, but he says he won&rsquo;t take on a role, just because it&rsquo;s a New Zealand film. He has to believe in the film as well.<br /><br /><span style=""></span> When he&rsquo;s not working, Neill splits his time between his homes in Sydney and Queenstown. But his heart is clearly here. &ldquo;You&rsquo;re either a hill person or a beach person and I&rsquo;m a hill person but we&rsquo;re lucky in New Zealand that we&rsquo;ve got both in great numbers and you&rsquo;re never far from one or the other.&rdquo;<br /><br /><span style=""></span> He takes me for a tour of Redbank. Fire, his ageing and nearly-deaf Staffi, ambles along with us. The property was formerly a research station for Crop &amp; Food. Along with the grapes, Redbank grows lavender, saffron, Echinacea, apricots, cherries, apples, pears and truffles. The lavender and saffron are commercially harvested and sold under the Two Paddocks label.  <br /><br /><span style=""></span> Sam shows me the lavender still and I sniff a few bottles of the extracted oil. He takes me to meet Hamish, the naughty Boer goat who has been known to jump fences and eat the vines. We visit the newly hatched, free-range chooks up by the Neil Dawson floating feather sculpture and feed the pigs some rotting pears.  <br /><br /><span style=""></span> It&rsquo;s an idyllic life and it suits him &ndash; strolling around in shorts, a collared shirt and sun-hat. But vineyard life is only a part-time distraction and Sam will be back on the road again when the next project presents.<br /><br /><span style=""></span> &ldquo;There is always stuff in the pipeline,&rdquo; he says. &ldquo;There are a few things I&rsquo;d like to do that still haven&rsquo;t got funding and there are a few things that have got funding that I&rsquo;m not sure if I&rsquo;d like to do.&rdquo;<br /><br /><span style=""></span> In the mean time, there is jam to make and the harvest around the corner followed by, no doubt, more rigorous product testing.<br /><br />(c) Kris Herbert. Originally published in b-guided magazine 2010.<br /><span style=""></span><br /><span style=""></span></div>]]></content:encoded></item><item><title><![CDATA[Frankie magazine: Real Hot Bitches]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/frankie-magazine-real-hot-bitches]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/frankie-magazine-real-hot-bitches#comments]]></comments><pubDate>Mon, 01 Feb 2010 00:01:05 GMT</pubDate><category><![CDATA[art]]></category><category><![CDATA[community]]></category><category><![CDATA[culture]]></category><category><![CDATA[Frankie]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/frankie-magazine-real-hot-bitches</guid><description><![CDATA[In your dreams, do you imagine yourself as part of a tightly-synchronised, Lycra-clad, 80s-inspired dance troupe? Do you still sing into your hairbrush? Or have fond memories of making up dance routines as a child and performing them to an appreciative audience of your mum and dad?If you answered yes to any of the above questions, chances are you are a Real Hot Bitch in waiting.      Think Dirty Dancing meets Flashdance meets Footloose meets The Solid Gold Dancers meets you in your lounge when y [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">In your dreams, do you imagine yourself as part of a tightly-synchronised, Lycra-clad, 80s-inspired dance troupe? Do you still sing into your hairbrush? Or have fond memories of making up dance routines as a child and performing them to an appreciative audience of your mum and dad?<br /><br />If you answered yes to any of the above questions, chances are you are a Real Hot Bitch in waiting.</div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">Think Dirty Dancing meets Flashdance meets Footloose meets The Solid Gold Dancers meets you in your lounge when you were 11. That&rsquo;s the Real Hot Bitches, a Wellington-based dance troupe with an unashamed love of dance routines and a fondness for legwarmers, sweat bands and Lycra G-strings. They have no training and limited technique but passion and enthusiasm to spare.<br /><br /><span style=""></span> It all began one night in 2005, when Angela Meyer and Rosie Roberts used 80s music and made-up dance routines to get through a long night re-painting a theatre set.  <br /><br /><span style=""></span> &ldquo;We thought, this is really fun, I wonder if anyone else wants to join us,&rdquo; Angela says.<br /><br /><span style=""></span> They sent out an email that invited people who thought of themselves as real, hot and bitching (&ldquo;in a phat, non-gender-specific way&rdquo;) to come and learn some of their made-up dance routines. Fifty people turned up to the inaugural event and the now-weekly bitching sessions, held at a local surf club, are still free and open to anyone.<br /><br /><span style=""></span> The Real Hot Bitches have grown to become the largest dance troupe in Australasia. There are more than 300 bitches in the &ldquo;dance-a-base&rdquo; and sub-chapters in London, Berlin, Tokyo and Melbourne.<br /><br /><span style=""></span> The Bitches now hold the world record for the most people performing a synchronized dance routine (done to Bon Jovi&rsquo;s Shot Through the Heart). They have charmed theatre audiences with sold-out performances and just released their first DVD.<br /><br /><span style=""></span> Though they never really intended to perform publicly, the bitches inherent show-pony personalities would not be confined to the surf club for long.  <br /><br /><span style=""></span> &ldquo;We realised that the world had to see our Lycra-clad bodies &ndash; that it would be unfair not to unleash ourselves on the public,&rdquo; Angela says.<br /><span style=""></span><br /><span style=""></span> The first public unleashing, at the end of 2005, was a simple friends and family night. &ldquo;It was like an end-of-year recital,&rdquo; Angela remembers. &ldquo;Some of the bitches had their parents there. Nerves were high. Tensions were high. We had a shared afternoon tea afterwards.&rdquo;<br /><br /><span style=""></span> While the weekly &ldquo;club bitching sessions&rdquo; are still the beating heart of the Real Hot Bitches, an &Uuml;ber Troupe was formed to take the showiest of the show ponies to the streets. Literally. In 2006, the &Uuml;ber Troupe rolled out a series of dance terrorism attacks during the Wellington Fringe Festival &ndash; 20 neon Lycra-bombs armed with a boom box.<br /><br /><span style=""></span> Since then, the Bitches have gone on to do three feature performances at the Wellington Bats Theatre, the most recent of which sold out six weeks in advance.<br /><br /><span style=""></span> &ldquo;We&rsquo;re not big on plot,&rdquo; Angela admits. &ldquo;It&rsquo;s more about the power of dance.&rdquo;  <br /><br /><span style=""></span> But there is more to the Real Hot Bitches than Lycra and badly remembered 11-year-old dance moves.<br /><br /><span style=""></span> &ldquo;Often people don&rsquo;t see past the Lycra but for me it came out of always wanting to dance. It can be kind of an intimidating thing &ndash; we don&rsquo;t really use our bodies much in our society,&rdquo; says Angela.  <br /><br /><span style=""></span> The Real Hot Bitches, she says, are challenging body image stereotypes, building confidence and creating a community.<br /><span style=""></span><br /><span style=""></span> &ldquo;It&rsquo;s really an incredibly feminist movement that no one really realises it is. We have so much fun - we laugh ourselves stupid. But it is very much about challenging those stereotypes and telling each other, &lsquo;your ass looks great in that G&rsquo;.&rdquo;<br /><br /><span style=""></span> Angela says there are many examples of bitches who have found confidence through the group. &ldquo;One of the bitches was really shy and hadn&rsquo;t had a job for about four years. She had gotten herself in a rut but now her life has totally changed.&rdquo;<br /><br /><span style=""></span> They come in all shapes and sizes and from all walks of life. They range from six-year-old mini-bitches to 60-plus granny-bitches. Men can be bitches, too.  <br /><br /><span style=""></span> &ldquo;There are two hard-core guys who are fantastic,&rdquo; Angela says. &ldquo;They shake it. It&rsquo;s been very liberating for them and they get to hang out with heaps of hot chicks.&rdquo;<br /><br /><span style=""></span> The secret she says is attitude, not skill.  <br /><span style=""></span><br /><span style=""></span> &ldquo;I can never remember the routines. I have to always stand behind someone and go, oh, that&rsquo;s right. It&rsquo;s about attitude. If you think you&rsquo;re hot, come along.&rdquo;<br /><br /><span style=""></span> Wellington has a reputation for embracing the off-beat, but the Bitches have charmed even the most bogan of audiences, which they proved by taking home the May Day Cup this year in the not-so-cosmo Palmerston North. They&rsquo;ve had entire rest home groups up and joining in to the &lsquo;Shot Through the Heart&rsquo; routine.  <br /><br /><span style=""></span> &ldquo;I think it&rsquo;s because we&rsquo;re so passionate and because we&rsquo;re not all models. A lot of people look at us and go, &lsquo;I could do that&rsquo;. There&rsquo;s a real sense that people aren&rsquo;t intimidated by us because a) we can&rsquo;t really dance and b) we&rsquo;re all shapes and sizes. We&rsquo;ve created a really great community and that&rsquo;s the thing I&rsquo;m most proud of,&rdquo; Angela says.<br /><br /><span style=""></span> Sidebar:<br /><span style=""></span> RHB Wardrobe Motto: More is more is more<br /><span style=""></span><br /><span style=""></span> (RHB wardrobe hint: The tighter the lycra, the more it holds in.)<br /><span style=""></span><br /><span style=""></span> RHB Performance Motto: Only When I'm Dancing Can I Feel This Free<br />RHB Choreographer Motto: No dance-stone unturned<br /><br /><br /><span style=""></span> RHB Mantra:<br /><span style=""></span> 'I am Real', <br />'I am Hot', <br />'I am Bitchin', <br />'I AM a Real Hot Bitch'<br /><br />(c) Kris Herbert. Originally published in FRANKIE magazine.<br /><span style=""></span><br /><span style=""></span></div>]]></content:encoded></item><item><title><![CDATA[The joke's on us]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/the-jokes-on-us]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/the-jokes-on-us#comments]]></comments><pubDate>Mon, 03 Mar 2008 08:00:00 GMT</pubDate><category><![CDATA[film]]></category><category><![CDATA[idealog]]></category><category><![CDATA[television]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/the-jokes-on-us</guid><description><![CDATA[The idea of Americans lapping up the deadpan Kiwi humour of the Flight of the Conchords might baffle many New Zealanders. But why the duo wasn&rsquo;t funded at home is a bigger puzzle.Read more at Idealog online http://idealog.co.nz/magazine/12/the-jokes-on-us   [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">The idea of Americans lapping up the deadpan Kiwi humour of the Flight of the Conchords might baffle many New Zealanders. But why the duo wasn&rsquo;t funded at home is a bigger puzzle.<br />Read more at Idealog online <a href="http://idealog.co.nz/magazine/12/the-jokes-on-us" target="_blank">http://idealog.co.nz/magazine/12/the-jokes-on-us</a><br /></div>  ]]></content:encoded></item><item><title><![CDATA[NZ Geographic: Our Digital Footprint]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/nz-geographic-our-digital-footprint]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/nz-geographic-our-digital-footprint#comments]]></comments><pubDate>Thu, 30 Nov 2006 23:26:17 GMT</pubDate><category><![CDATA[culture]]></category><category><![CDATA[NZ Geographic]]></category><category><![CDATA[science]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/nz-geographic-our-digital-footprint</guid><description><![CDATA[Fifty-seven percent of New Zealanders say they are worried about invasion of privacy through new technology. In the US &ndash; probably for good reason - the figure is 70% and in Australia, 64%.   Privacy advocates would say that this figure is too low &ndash; everyone with an email account and a credit card should be worried. But assistant privacy commissioner Katrine Evans says it&rsquo;s not the technology we should be concerned about. &ldquo;Technology itself is neutral,&rdquo; she says, &ld [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">Fifty-seven percent of New Zealanders say they are worried about invasion of privacy through new technology. In the US &ndash; probably for good reason - the figure is 70% and in Australia, 64%.  <br /><br /><span style=""></span> Privacy advocates would say that this figure is too low &ndash; everyone with an email account and a credit card should be worried. But assistant privacy commissioner Katrine Evans says it&rsquo;s not the technology we should be concerned about.<br /><span style=""></span><br /><span style=""></span> &ldquo;Technology itself is neutral,&rdquo; she says, &ldquo;It&rsquo;s what we do with it.&rdquo;<br /><span style=""></span></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">And what can be done with a few snippets of information is astounding. Latanya Sweeney, a data-privacy researcher at Carnegie Mellon University found that 87 percent of Americans can be identified simply by knowing their date of birth, gender, and five-digit post code.<br /><span style=""></span><br /><span style=""></span> Consider this. Every time you make a telephone call, purchase something using a credit card, subscribe to a magazine or pay your taxes, a little parcel information that can be linked to you goes into a database somewhere. Every electronic transaction, every email, every phone call leaves a mark. Just like snails, we leave a trail behind us. It may feel invisible but in fact it&rsquo;s almost impossible to erase.<br /><br /><span style=""></span> We do it without thinking. Surf the web. Send an email. Register our car. Use a supermarket loyalty card. Buy a house. Go to the doctor.  <br /><br /><span style=""></span> <span style="">On their own, these pieces of data reveal little. But put them together and you have a data profile that is extremely valuable to people who want to sell us stuff. </span> <br /><br /><span style=""></span> In the US, where direct marketing campaigns account for about three-quarters of a billion dollars in sales each year, the personal data industry is booming. One company, Donnelly Marketing, keeps dossiers on over 90 percent of American households.<br /><br /><span style=""></span> In New Zealand, Loyalty schemes like Flybuys or Progressive Supermarket&rsquo;s One Card allow companies to collect additional information like name, address and date of birth and correlate them with purchasing patterns.<br /><br /><span style=""></span> Companies can use a method called data mining to profile the card holder and forecast their response to special offers. This way, offers can be targeted to the people most likely to take them up.<br /><br /><span style=""></span> University of Waikato professor of Marketing Richard Varey says, &ldquo;Once an electronic connection is established, every move is recorded and trackable.&rdquo;<br /><br /><span style=""></span> One often-quoted example is of a US grocery chain that used the data mining to analyse local buying patterns. They discovered that when men bought nappies on Thursdays and Saturdays, they also tended to buy beer. The retailer could use this information to increase revenue by moving the beer closer to the nappies and making sure beer and nappies were sold at full price on Thursdays and Saturdays.<br /><br /><span style=""></span> &ldquo;Tracking and analysis of shopping behaviour, linked to time, place, and activity, is now commonplace,&rdquo; Varey says.  <br /><br /><span style=""></span> Marketing planners look at what is purchased and in what combinations to draw conclusions about a person&rsquo;s lifestyle. They can time offers to match birthdays, weddings or anniversaries.  <br /><br /><span style=""></span> &ldquo;This is way more sophisticated than simple revenue or profitability measurement &ndash; and the customer is no longer anonymous to the supplier. C<span style="">ommunication via email, SMS, etc. is now almost costless, and endlessly personalisable, avoiding the waste of large-scale broadcast advertising. The benefit to sellers is obvious,&rdquo; Varey says.</span><br /><br /><span style=""></span> Massey University marketing professor Ben Healey says targeting offers is a way to try to reduce wastage in marketing. &ldquo;There&rsquo;s an old adage that half of your advertising money is wasted, but you don&rsquo;t know which half,&rdquo; Healey says.<br /><br /><span style=""></span> Companies that collect information about customers normally have a privacy policy that promises not to pass personal information on to a third party. Healey thinks there is a strong incentive for companies to stick to this policy.<br /><br /><span style=""></span> &ldquo;My personal experience in working with these organisations is that they&rsquo;re quite well run. Of course, there are always instances where people misuse information and you hear about people in the US hacking into computer systems and stealing data. There&rsquo;s always the potential for that but there is also a heavy incentive not to misuse data.&rdquo;<br /><br /><span style=""></span> Healey believes that New Zealand companies who have loyalty schemes tend to use them more for their original purpose, encouraging customers to choose one chain over another.  <br /><br /><span style=""></span> So should we be concerned about the supermarket knowing who we are, where we live and which brands we prefer?<br /><br /><span style=""></span> &ldquo;It comes down to the individual,&rdquo; Healey says. &ldquo;We definitely need to be more aware of what data&rsquo;s collected and we need to be comfortable with what information we are giving out.&rdquo;<br /><br /><span style=""></span> <span style="">Why do marketers want to know so much about us? It&rsquo;s summed up with a new corporate strategy called "relationship marketing," where companies try to bond with customers for life through an increasingly differentiated array of transactions. </span> <br /><br /><span style=""></span> And there are some frightening technologies in development to achieve that. A New Jersey company called PreTesting is developing a watch that records messages encoded into the sound tracks of radio and TV commercials. The same device will also detect signals from a chip inserted into the spines of magazines, conveying how long a reader spends perusing a publication.  <br /><br /><span style=""></span> The old standard of selling to the masses, demographics, is being replaced by a more precise classification of personality profiles called "psychographics." Psychographics are used to determine not just who is buying a certain product but why they are buying it. Demographics include statistics on age, income, education, status or type of occupation, region of country and household size. Psychographics take it a step further to include people's lifestyles and behaviours &ndash; hobbies and interests, favourite holiday destination, the values they hold and how they behave.<br /><br /><span style=""></span> Keeping such close tabs on the consumer population requires a high level of surveillance or what Australian information privacy researcher Roger Clarke calls &ldquo;dataveillence&rdquo;.<br /><br /><span style=""></span> Clarke coined the term in 1988 and he defines dataveillance as &ldquo;the ability to monitor a person's activities by studying the data trail created by actions such as credit card purchases, cell phone calls, and Internet use&rdquo;.<br /><br /><span style=""></span>  Felicity Brown, a master&rsquo;s student at Auckland University of Technology, is researching surveillance.  <br /><br /><span style=""></span>  &ldquo;In the private sector, dataveillance is used by agencies such as Baycorp to determine an individual&rsquo;s credit history. In the public sector, citizens are watched to make sure they correctly declare their income for taxation, provide welfare or a student allowance. In fact, dataveillance is a very pervasive part of our everyday lives. We require these passports that testify to our trustworthiness when applying for insurance, hire purchase agreements, finance, or any dealings with the bank,&rdquo; Brown says.<br /><br /><span style=""></span> One of the most common ways that your personal information can be used against you is through identity theft. Identity theft is much-talked-about overseas, especially in the US (where identity fraud is the fastest growing crime and now totals $52.6 billion a year) but it&rsquo;s also on the rise in New Zealand.<br /><br /><span style=""></span> Using a bank statement, driver&rsquo;s license, passport or even a power or phone bill, identity thieves steal personal details to commit theft or fraud. They can use your identity to buy items on hire purchase, open a credit card account or take out a loan. They could fraudulently obtain benefits. It can be an expensive and time consuming process repairing the damage done by identity theft. Victims in the US spend an average of 600 hours recovering from this crime - the equivalent of nearly US$16,000 in lost potential or realized income.  <br /><br /><span style=""></span> Identity fraud is the most ominous misuse of personal data but there is also a more common consequence of being classified by your data trail. Clarke believes our digital profile can extend the biases of class into everything from getting a mortgage to the marketing information you receive in the mail to the way a company responds to your complaint. Once established, your profile is hard to shake.  <br /><br /><span style=""></span> Felicity Brown says monitoring consumer activities reverses the perceived benefit of the free-market &ndash; consumer choice. &ldquo;In telling consumers what to think about direct marketers create shopping agendas for individuals, seeking to programme particular choices by privileging certain options, and then smoothing the path to the door of the outlet.&rdquo;<br /><br /><span style=""></span> Fooled by the mistaken belief that we are anonymous online, we often reveal vast amounts of information about ourselves while we surf the web.  <br /><br /><span style=""></span> The internet - by definition - is a system designed to share information between computers. So it should come as no surprise that our online activities are an open book. When we surf the web, send an email, chat or post to newsgoups, our computer leaves behind a digital fingerprint called an Internet Protocol (IP) address. An IP address is a computer&rsquo;s unique identifier.  <br /><br /><span style=""></span> <span style="">We may be anonymous but our computers aren&rsquo;t. Little files called "cookies" can track every site visited on your computer. </span>Web merchants may monitor Internet chat-rooms or news groups, collecting email addresses and demographic information based on users&rsquo; online behaviour and postings. <span style="">Every time you subscribe to a newsletter or fill in a form, your profile becomes more comprehensive. Marketers use this information to assemble a precise image of your wants and needs.</span> This information can then be sold to other interested parties and direct marketers.<br /><br /><span style=""></span> <span style="">Sometimes, we&rsquo;re willing to sacrifice privacy for free services. </span>Google&rsquo;s popular Gmail service, released two years ago, offers users a free email account with huge 2GB mailbox. Is Google just generous? No. By signing up, users agree to have their emails scanned and then Google delivers targeted advertisements based on their content. You might think that would put people off but Gmail now has tens of millions of users.<br /><br /><span style=""></span> When governments start to take an interest in the information held by search engines, things get scary. Yahoo has been cited in a Chinese court decision to jail a dissident internet writer for 10 years for subversion. This is the fourth case implicating the US search engine, who has responded by saying, "The Chinese government ordered Yahoo China to provide user information and Yahoo China complied with local laws."<br /><br /><span style=""></span> While the Chinese government has a reputation for jailing dissidents and disrespecting privacy, search engines have also received subpoenas for US courts.<br /><br /><span style=""></span> In March, a US judge ruled that Google must give the Federal Trade Commission the entire contents of a customer's Gmail account, including deleted messages. In another case, a judge said the company had to provide 50,000 web addresses from its database to the Justice Department for a study of child pornography online. While Google initially resisted the subpoena, Yahoo, AOL and MSN complied without a fight.<br /><br /><span style=""></span> GOVERNMENT INVOLVEMENT<br /><br /><span style=""></span> Apart from our electronic spending data, the largest holder of information about us is the government &ndash; in the form of electoral rolls, car registration, building consents, and the companies register.<br /><br /><span style=""></span> <span style="">We are under the mistaken impression that data held by the government is safe &ndash; locked up in some grey Wellington office block. But thanks to the Freedom of Information Act, public information is, well, public. And more and more of it is available online.</span><br /><br /><span style=""></span> I can &ndash; without leaving my desk &ndash; find out if you are a director of any companies or trusts. If you&rsquo;re listed with Telecom&rsquo;s directory, I can find your phone number and address. I can search QV or LandOnline to see if you own the house at that address and for a small fee, I can find out how much you paid for that house and when, and what its approximate market valuation is now. Thanks to the LTSA&rsquo;s online Motoweb, which was designed to protect car buyers from purchasing stolen or fraudulent vehicles, I can punch in a vehicle registration number, find out who owns it and whether they bought it outright or financed it and how much is owing.<br /><br /><span style=""></span> If you were born in a New Zealand hospital after 1969, a sample of blood taken from a heel prick is stored at the National Testing Centre in Auckland&rsquo;s National Women&rsquo;s Hospital. The blood is tested for seven diseases but it doubles as a DNA database and samples are sometimes released to police for criminal investigations.<br /><br /><span style=""></span> There are other examples of government information being passed on to third parties.<br /><br /><span style=""></span> In June 1998, it was revealed that thousands of Auckland valuation records had been sold to a marketing company in Queensland by Valuation New Zealand (now Quotable Value). As a result, property owners received unsolicited marketing in the mail. Some government agencies &ndash; like the motor vehicle register and the drivers&rsquo; licence register - give information away for free.<br /><br /><span style=""></span> It may be the law hasn&rsquo;t kept pace with technology. When these registers were made public, it was anticipated that someone would have to go into an office and request the file in person. Now that the databases are electronic, they&rsquo;re more subject to abuse.<br /><br /><span style=""></span> The electronic age also allows government agencies to share information between them. The Privacy Commission reported last year that over the period of 2004-05, 21.4 million files were officially disclosed by one government agency to another.<br /><br /><span style=""></span> The Privacy Commission says that data matching is done mainly to detect fraud. WINZ and NZ Immigration might cross data to make sure that someone collecting an unemployment benefit hasn&rsquo;t left the country for a holiday in Australia.  <br /><br /><span style=""></span> Parliament has to approve any data matches by government organisation in New Zealand and the Privacy Commission acts as an expert advisor. The requests for data matching must show that the public good overrides the intrusion of privacy.<br /><br /><span style=""></span> Felicity Brown: &ldquo;In terms of government dataveillance, a certain amount of information is required to run a nation, and do the things that we collectively agree to through democracy. Specifically, the provision of welfare, student allowances and the electoral system all require some degree of dataveillance.&rdquo;<br /><br /><span style=""></span> Properly handled, data matching can be both an efficient and beneficial bureaucratic solution. But data matching is basically a series of inferences based on a formula. And sometimes these inferences can be wrong.<br /><br /><span style=""></span> In Britain, a minister recently had to resign because 2000 prisoners who should have been deported were instead released. Everyone assumed the computer wouldn&rsquo;t lie.<br /><br /><span style=""></span> When there are discrepancies in data in New Zealand, the law dictates that the citizen must be given a chance to explain themselves.&nbsp;<br /><br /><span style=""></span> Felicity Brown says that this is the biggest problem with dataveillance: &ldquo;It reverses the basic tenet of justice, that citizens are innocent until proven guilty. When dataveillance flags an individual as having transgressed the rules, it is up to them to prove that they haven&rsquo;t. Apart from the worry that there might be mistakes in the system, this is the opposite to the way we&rsquo;ve usually done things.&rdquo;<br /><br /><span style=""></span> There is also the risk that the aim of the data matching might be discriminatory. &ldquo;Information-matching might be encouraged in order for welfare fraud to be identified, which is great, no-one wants their tax dollars ripped off. But welfare fraud might be more surveilled than tax evasion on the part of large corporations,&rdquo; Brown says.<br /><br /><span style=""></span> Brown says that dataveillance, in general, does not affect everyone to the same degree.  <br /><br /><span style=""></span> &ldquo;Dataveillance involves a series of pre-determined judgements about an individual&rsquo;s innate qualities, their moral fibre, their strengths and weaknesses. Large databases of information are searched for particular sets of qualities which signal a &lsquo;risk&rsquo;. The combination male + arab + flying from Dubai to Auckland, will require investigation, while the combination female + Australian + arriving from Sydney will not.&rdquo;<br /><br /><span style=""></span> International terrorism has driven a lot of recent surveillance initiatives. Since September 11, 2001, the New Zealand Government has passed several laws that require internet service providers and telecommunications companies to have systems in place so that calls and communications can be intercepted.<br /><br /><span style=""></span> &ldquo;These are laws that give police and intelligence agencies much greater access and dramatically increase the legal capabilities of the government to engage in surveillance,&rdquo; Tim McBride says.<br /><span style=""></span><br /><span style=""></span> These laws have, McBride says, crept in mostly unnoticed. Mostly. In 2004, McBride was the spokesperson for the Big Brother Awards, which nominated people and agencies responsible for &ldquo;outstanding abuse or disregard of privacy and civil liberties in New Zealand&rdquo;. Three of the five awards were related to &ldquo;antiterrorism&rdquo; and surveillance legislation.  <br /><span style=""></span><br /><span style=""></span> Person of the year went to all politicians responsible for passing the legislation, which the awards said &ldquo;allow additional, secret snooping &ndash; with little or no public accountability - into the private lives, transactions and communications of New Zealanders. While falling mercifully short of the excesses of the United States Patriot Act, these various pieces of legislation result in significantly reduced privacy and civil liberties for all of us, but do little to reduce any actual terrorist threat.&rdquo;<br /><br /><span style=""></span> Along the same lines, Minister of Justice Phil Goff won worst elected representative and the Government Communications Security Bureau won worst public agency or official for the agency which has most systematically invaded privacy.<br /><br /><span style=""></span> In Australia, privacy advocates are fired up by the John Howard&rsquo;s proposal for a national identification card. Supporters argue it will increase efficiency and streamline government services but Roger Clark says, &ldquo;National identity cards are an extremist measure, attuned to the needs of countries subject to central planning and despots, not to the expectations of free countries. The dangers of the card are serious enough, but the real focus needs to be on the dangers of the 'national identification scheme' that provides the infrastructure to go with it.&rdquo;<br /><br /><span style=""></span> Assistant Privacy Commissioner Katrine Evans says New Zealand laws don&rsquo;t allow organisations to use the same unique identifier. A university cannot use drivers liscence numbers as student numbers and the heath system cannot keep track of patients using tax file numbers. This system is designed to keep information separate &ndash; and therefore safe.<br /><br /><span style=""></span> &ldquo;We don&rsquo;t have the quantity of war stories in New Zealand that we see other places and that&rsquo;s partly because we have strict limitations on the uses of unique identifiers. Another department cannot use IRD numbers to identify people because that would allow data aggregation.&rdquo;<br /><br /><span style=""></span> But McBride believes biometric identification cards are inevitable. &ldquo;I&rsquo;m sure we will fall into line but we need informed public debate on it. The proponents need to provide compelling arguments as to why we need such a system.&rdquo;<br /><br /><span style=""></span> The New Zealand Government is already involved in a much bigger system &ndash; a massive electronic intercept program called Project Echelon that can collect huge amounts of data and, by linking far-flung information from blogs and e-mail to government records and intelligence reports, search for patterns of terrorist activity.  <br /><br /><span style=""></span> According to intelligence experts in the United States and Europe, Echelon scans Internet traffic, cell phone conversations, faxes, and telephone calls looking for evidence of terrorist activity, military threats, and crime.<br /><br /><span style=""></span> The electronic spying is being conducted by the secretive US National Security Agency and its counterparts in Australia, Canada, the United Kingdom and, yes, New Zealand. Echelon is so secretive that the NSA will not even acknowledge its existence.<br /><br /><span style=""></span> The possibility that innocent people may become Echelon targets or that the project's spying may exceed legal boundaries bothers privacy activists, but researcher and writer Nicky Hager, who wrote a book about the subject, <em style="">Secret Power - New Zealand's Role in the International Spy Network</em>, says he doesn&rsquo;t believe Echelon is a threat to everyday New Zealanders.<br /><br /><span style=""></span> &ldquo;But it is an example of large scale international spying, which does have implications for all kinds of issues that New Zealanders care about.&rdquo;<br /><br /><span style=""></span> Hager says there is a much more immediate and common threat in the vast amount of data that we leave behind in our everyday lives.  <br /><br /><span style=""></span> &ldquo;When you put it all together in systematic way it adds up to a very complete picture of someone&rsquo;s life,&rdquo; Hager says.  <br /><br /><span style=""></span> Though this information can potentially be used against us by anyone from a jealous partner to a zealous employer or an aggressive marketer, Hager says the affect is even greater than that.<br /><br /><span style=""></span> &ldquo;The potential actually changes the way people live in very subtle, long term ways,&rdquo; Hager says. We behave differently knowing that our emails are potentially read by our employers and that the websites we view can be looked up by other family members. &ldquo;It changes the way somebody feels about their sense of private self. Most effect of that day-to-day is psychological. The serious, society altering thing is where people who like to be private stop believe that they have privacy.&rdquo;<br /><br /><span style=""></span> Computer forensics has shown that people&rsquo;s lives can be remarkably reconstructed by the data on their computers.<br /><br /><span style=""></span> &ldquo;People have no comprehension of how much of their lives are going into computers, texts and emails with the assumption that those are private. The thing that&rsquo;s changed since 30 years ago when surveillance meant a telephone tap is that very large parts of people&rsquo;s live and relationships and legal, private personal business are being recorded electronically as we do our business. That means there is a much larger part of person&rsquo;s self which is easily susceptible to interception.&rdquo;<br /><br /><span style=""></span> A warrant to seize a computer can be signed off by a junior registrar of the court with generalized explanation.  <br /><br /><span style=""></span> &ldquo;I&rsquo;ve heard of cases in Auckland where protesters &ndash; moderate lawful protesters  - have had their computers seized by police. Suddenly, you have somebody who did a small, democratic political action and the police know more about their lives than anybody could have known about anyone 10 years ago.&rdquo; <br /><br /><span style=""></span> Hager says the level of warrant required to seize a person&rsquo;s computer doesn&rsquo;t reflect the seriousness of this privacy intrusion.  <br /><br /><span style=""></span> &ldquo;It&rsquo;s normalisation of what I would say is the most intrusive form of surveillance. The amount of data left on a computer about someone&rsquo;s life is mind boggling.&rdquo;<br /><span style=""></span><br /><span style=""></span> Hager predicts that when it dawns on people how much they&rsquo;re computers reveal about them, there will be a call for the laws regarding seizure to be re-thought completely.<br /><br /><span style=""></span> Although Hager accuses the New Zealand government of not being interested in privacy issues, he&rsquo;s not pessimistic.<br /><br /><span style=""></span> &ldquo;What happens with new technology is that people at first are just dazzled by the advantages and it takes longer to realise the down side. I take more optimistic view. I would argue that over time people can understand and control the bad sides of it.&rdquo;<br /><br /><span style=""></span> And that will happen, Hager says, when there is more commitment from the government or when the issues become controversial enough that there is greater public pressure for change.<br /><br /><span style=""></span> Tim McBride has spelled out his expectations for privacy protections in the New Zealand Privacy Charter 2004, which says, &ldquo;A free and democratic society requires respect for the autonomy of individuals, and limits on the power of both state and private organisations to intrude on that autonomy. Privacy is a value which underpins human dignity and other key values such as freedom of association and freedom of speech. It is a fundamental human right.&rdquo;<br /><br /><span style=""></span> Sidebar: New monitoring on the horizon<br /><br /><span style=""></span> An old technology may be about to change our lives dramatically. Radio Frequency Identification tags (RFIDs) were first developed in World War II, when the allied forces used the tags to identify friendly aircraft. Today, the tags are being used to track everything from warehouse stock to children and employees.  <br /><br /><span style=""></span> An RFID tag is like a high-tech version of a bar code. They are permanently attached to a product in order to electronically monitor levels of stock, or locations of objects (such as luggage at airports).  <br /><br /><span style=""></span> Privacy advocates warn that RFID tags will offer store owners, governments, hackers and direct-marketers unsurpassed insight into a consumers&rsquo; mobility, tracking them as they move through daily-life wearing tagged clothes and accessories.  <br /><br /><span style=""></span> In some cases RFID tags are even planted directly under the human skin. Select patrons of the Baja Beach Club in Barcelona, for example, have the rice-sized grains of silicon implanted in their shoulder. The tags allow the VIPs to skip the queue and order drinks directly on their e-accounts.<br /><br /><span style=""></span> Amusement park Legoland in Denmark rents RFID tags to help parents keep track of their children. Employees in North America have been embedded with a small microchip to store information and control access to certain work areas. The technology has been trialled by Walmart in the US and the Warehouse in New Zealand.  <br /><br /><span style=""></span> University of Otago law professor Dr Paul Roth told Privacy Issues Forum in Wellington in march that Radio Frequency Identification (RFID) could be used to monitor workers and measure performance. He said the uses of RFID in the workplace raised new questions surrounding privacy law and practice.  <br /><br /><span style=""></span> As with any technology, there is a risk of failure or abuse. A master&rsquo;s student at the Vrije Universiteit Amsterdam wrote a virus small enough to fit on a RFID tag in just four hours. The tags, which contain as little as 114 bytes of memory were previously thought to be resistant to such attacks.<br /><br /><span style=""></span> What can we do to protect our privacy?<br /><br /><span style=""></span> It is difficult to take action against violations of our digital privacy. As Tim McBride says, &ldquo;It takes someone with deep pockets or an obsession.&rdquo;  <br /><br /><span style=""></span> The best protection is prevention:<br /><br /><span style=""></span> - Be aware of what information you disclose and read privacy statements carefully before you pass on your information<br /><span style=""></span><br /><span style=""></span> - Turn off cookies in your internet browser<br /><span style=""></span><br /><span style=""></span> - Ask to be removed from any Marketing Association member's mailing or telephone lists through the association's Name Removal Service.&nbsp;Call 0800 222 332 and for more information. If you also wish to have your name removed form the NZ Post mailing list phone 0800 804 307.<br /><span style=""></span><br /><span style=""></span> - Get a hard-to-trace email with services such as <u style=""><a href="http://pcworld.about.com/gi/dynamic/offsite.htm?site=http://www.anonymizer.com" style="">Anonymizer</a></u> and <u style=""><a href="http://pcworld.about.com/gi/dynamic/offsite.htm?site=http://www.freedom.net" style="">Zero Knowledge</a></u>.<br /><br /><span style=""></span> You are what you search<br /><span style=""></span><br /><span style=""></span> A slip-up by US internet provider AOL proves how much people unintentionally reveal about themselves when they use search engines. The company posted detailed records of 670,000 customer&rsquo;s online searches onto a supposedly secret website for research purposes. It didn&rsquo;t take long until the information was the talk of blog sites. AOL was shamed in the media. The company quickly apologised and withdrew the files. But it was too late. The information had already been transferred to independent websites that allow anyone to easily search the data.  <br /><span style=""></span><br /><span style=""></span> AOL identified the customers only by random user numbers but it didn&rsquo;t take long for The New York Times to identify people using only their searches.<br /><span style=""></span><br /><span style=""></span> User No. 441779 searched for &ldquo;60 single men&rdquo; and &ldquo;dog that urinates on everything&rdquo;. A search for &ldquo;landscapers in Lilburn, Georgia&rdquo; narrowed the field as did several searches for people with the surname Arnold and one on &ldquo;homes sold in shadow lake subdivision Gwinnet County Georgia&rdquo;.<br /><span style=""></span><br /><span style=""></span> It did not take much investigating for The Times to follow user no. 441772&rsquo;s data trail to Thelma Arnold, a 62-year-old dog-loving widow who lives in Lilburn, Georgia.  <br /><span style=""></span><br /><span style=""></span> "Those are my searches," she told the paper when a reporter contacted her and read out some of the search terms.<br /><span style=""></span><br /><span style=""></span> Mrs Arnold said she was shocked that her search queries had been recorded and released to the public by AOL.<br /><span style=""></span><br /><span style=""></span> "My goodness, it&rsquo;s my whole personal life," she said. "I had no idea somebody was looking over my shoulder."<br /><span style=""></span><br /><span style=""></span> The searches show that people turn to the internet for the most personal and sensitive issues. No. 3505202 asks about &ldquo;depression and medical leave.&rdquo; No. 7268042 types &ldquo;fear that spouse contemplating cheating.&rdquo;<br /><span style=""></span><br /><span style=""></span> There are also many thousands of sexual and possibly criminal queries. The search strings &ldquo;how to kill your wife&rdquo;, &ldquo;child porno&rdquo; and &ldquo;how to kill oneself by natural gas&rdquo; raise questions about what legal authorities can and should do with such information.  <br /><span style=""></span><br /><span style=""></span> But while these searches can be interpreted to reveal much about the person who typed them, they can also prove highly misleading.  <br /><span style=""></span><br /><span style=""></span> Thelma Arnold&rsquo;s search history includes &ldquo;hand tremors,&rdquo; &ldquo;nicotine effects on the body,&rdquo; &ldquo;dry mouth&rdquo; and &ldquo;bipolar.&rdquo;<br /><span style=""></span><br /><span style=""></span> Arnold&rsquo;s searches make her sound like a walking health hazard, but when contacted by The Times she said she often researches her friends' medical ailments.<br />&ldquo;I have a friend who needs to quit smoking and I want to help her do it.&rdquo;  <br /><span style=""></span><br /><span style=""></span> AOL said that it had not intended to release Arnold's data or anyone else's, and told the paper: "We apologise specifically to her. There is not a whole lot we can do."<br /><span style=""></span><br /><span style=""></span> Mrs Arnold plans to cancel her AOL subscription. "We all have a right to privacy. Nobody should have found this all out," she said.<br /><br /><span style=""></span> Try it at home:  <br /><span style=""></span><br /><span style=""></span> Visit AOLSearchLogs.com and click on a random user. After browsing their search strings, you can have a go at putting together a profile of the user and see what interpretations others have come up with. Thelma Arnold's search records can be found on the site.<br /><br /><em>Article (c) Kris Herbert. Originally published in NZ Geographic, December 2006.</em><br /><span style=""></span><br /><span style=""></span> <br /> <br /><span style=""></span><br /><span style=""></span> <br /> <br /><span style=""></span><br /><span style=""></span> <br /> <br /><span style=""></span><br /><span style=""></span></div>]]></content:encoded></item><item><title><![CDATA[The Listener: The inconvenient truth about air travel]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/the-listener-the-inconvenient-truth-about-air-travel]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/the-listener-the-inconvenient-truth-about-air-travel#comments]]></comments><pubDate>Fri, 17 Nov 2006 08:00:00 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/the-listener-the-inconvenient-truth-about-air-travel</guid><description><![CDATA[Al Gore can justify his jet-setting contribution to climate change, but the rest of us are faced with a moral dilemma.Thanks to An Inconvenient Truth, Al Gore is the poster boy for fighting global warming. Yet the image we see again and again is Gore on a plane, criss-crossing the globe to spread his message.      The climate campaigner warns that only drastic measures will save the planet.But there&rsquo;s no mention in the film about the impact of air travel &ndash; despite some contentions th [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">Al Gore can justify his jet-setting contribution to climate change, but the rest of us are faced with a moral dilemma.Thanks to An Inconvenient Truth, Al Gore is the poster boy for fighting global warming. Yet the image we see again and again is Gore on a plane, criss-crossing the globe to spread his message.<br /></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">The climate campaigner warns that only drastic measures will save the planet.But there&rsquo;s no mention in the film about the impact of air travel &ndash; despite some contentions that flying is the most damaging thing an individual can do to the planet.<br /><br />A UK Royal Commission study conducted by York University calls air transport &ldquo;the most heavily polluting form of transport on Earth&rdquo;.<br /><br />Yet, in terms of fuel consumption, air travel is not inefficient. According to figures from Landcare Research, each passenger&rsquo;s share of the carbon dioxide emissions on an average domestic flight in New Zealand is 180g per kilometre, which is quite good compared to a two-litre car with just one passenger, which emits 370g per kilometre.<br /><br />On the other hand, if you choose an average-sized diesel car and pile in the whole whanau, that&rsquo;s only a modest 35g per kilometre.<br /><br />One person&rsquo;s share of the carbon dioxide emitted in a round trip to London is 5062kg. You&rsquo;d have to drive more than 20,000km (by yourself) in a two-litre car to match that on the road.<br /><br />So why do the New Zealand transport emissions statistics show that motor vehicles are responsible for 92% of carbon dioxide emissions but air travel is 3%?<br /><br />This is because most countries don&rsquo;t include international flights in their statistics. Air New Zealand environment manager Martin Fryer says, &ldquo;The reason international flight data is not included in state carbon-emission statistics is that, under Kyoto, international aviation is exempt until 2012. To try to include aviation was seen as extremely complex.&rdquo;<br /><br />Although it gets the most attention, carbon dioxide is just one of several greenhouse gases. The other bits coming out of the back end of a Boeing include nitrogen oxides, sulphate, soot and water vapour.<br /><br />Richard McKenzie, an atmospheric scientist at the National Institute of Water and Atmospheric Research (NIWA), began looking at the atmospheric effects of aeroplane emissions in the 1980s, when a study was commissioned to explore the potential effects of a new supersonic aircraft. This research helped scientists to better understand the complex chemical reactions that happen in the flightpath.<br /><br />Most jets fly in the upper troposphere (between 10-13km up) where the thinner atmosphere makes their path more efficient. In this cold, clear air, the water vapour from jet engines forms into ice crystals. These vapour trails trap heat and warm the Earth&rsquo;s surface. At the same time, the nitrogen oxides are interacting with ozone. The chemical reactions taking place increase ozone production. This extra ozone in the the troposphere is actually a greenhouse gas that traps heat. McKenzie believes that jet engines contribute more to global warming than a simple carbon dioxide calculation reveals.<br /><br />In a 1999 special report, &ldquo;Aviation and the Global Atmosphere&rdquo;, the Intergovernmental Panel on Climate Change says the overall warming effect of aviation is 2.7 times greater than the effect of its carbon dioxide emissions alone. New research from the UK indicates that aviation will account for 5% of the world&rsquo;s CO2 emissions by 2050. But the percentage that flying contributes to global warming may be much higher.<br /><br />There is some good news. Improved aircraft engine design has resulted in a 70% decrease in carbon emissions from 1976 levels. Nitrogen oxide emission is forecast to fall by 80% by 2030. But fuel and pollution savings are being eclipsed as almost half a million new passengers take to the skies every year and another 13,500 heavy jetliners are scheduled to enter service by 2017.<br /><br />Gore buys carbon credits to offset his flights. Using websites like www.carbonzero.co.nz, anyone can do this. (These credits go towards New Zealand native forest regeneration projects administered under the EBEX21 project.)<br /><br />Planting trees is a good thing, McKenzie says, but not a true solution. &ldquo;Planting trees is really only a stopgap solution. Eventually the trees die and then they release their carbon back to the atmosphere.&rdquo;<br /><br />Jet emissions linger in the stratosphere, modifying Earth&rsquo;s atmosphere for about 100 times longer than when released near the ground. The carbon calculators don&rsquo;t take this into account. Plus, it&rsquo;s hard for trees on the ground to absorb carbon 13km up.<br /><br />The only sure way to reduce the global warming contribution caused by aeroplanes is to stop flying.<br /><br />There are other good reasons to avoid jet travel. Airports are a toxic source of noise and chemical pollution for people who live nearby. Every four hours, passengers on high-altitude flights are exposed to radiation equivalent to one chest x-ray.<br /><br />Gore&rsquo;s impact in raising awareness of climate change may justify his jet-setting contribution to the issue, but the rest of us are faced with a moral dilemma. It&rsquo;s summed up with a concept that Guardian columnist, and author of Heat: How to Stop the Planet Burning (published by Allen Lane), George Monbiot calls &ldquo;love miles&rdquo;, or the distance between you and the people you love.<br />&ldquo;If your sister-in-law is getting married in Buenos Aires,&rdquo; he writes in Heat, &ldquo;it is both immoral to travel there &ndash; because of climate change &ndash; and immoral not to, because of the offence it causes. In that decision we find two valid moral codes in irreconcilable antagonism. Who could be surprised to discover that &lsquo;ethical&rsquo; people are in denial about the impacts of flying?&rdquo;<br /><br />Monbiot admits that his environmental consciousness has been shaped by travel abroad and says this partly explains the gap between good intentions and damaging actions. &ldquo;While it is easy for us to pour scorn on the drivers of sports utility vehicles, whose politics generally differ from ours, it is harder to contemplate a world in which our own freedoms are curtailed, especially the freedoms which shaped us.&rdquo;<br /><br />But he concludes: &ldquo;If you fly, you destroy other people&rsquo;s lives.&rdquo;<br /><br />In the UK, where a Ryanair flight from London to Rome can be just 50p, some conscientious travellers are vowing to give up the air-travel habit. Websites like FlightPledge.org.uk encourage citizens to swear off it.<br /><br />In January, Mark Ellingham, founder of travel-publishing company Rough Guides, announced that he would fly less and vacation in Britain. He is spreading a new message: travel less and stay longer.<br /><br />&ldquo;We have all mastered the art of beginning and ending a narrative at the points which suit us,&rdquo; says Monbiot. Unless the story can be rewritten, a happy ending to the climate crisis will require us to fly less. The end of cheap oil could make the choice easy. Or Richard Branson, and his $3 billion commitment to developing alternative energy sources, will find a sustainable option.<br /><br />In the meantime, maybe New Zealand should focus on its sailing industry instead of brokering its clear skies to bring an international aircraft test facility to Christchurch. Climate change wasn&rsquo;t a factor in the decision to keep the Overlander running, but maybe it will be. A University of York report found that if journeys of less than 400 miles are undertaken by train rather than plane, 45% of all flights could be eliminated.<br /><br />Air New Zealand ads say, &ldquo;being there is everything&rdquo;, but organisations like NIWA are trying to replace some flights with videoconferencing.<br /><br />This could be the most inconvenient truth of them all. I don&rsquo;t blame Gore for leaving it out.<br /><br />From the Listener magazine:<a href="http://www.listener.co.nz/issue/3470/features/7452/the_inconvenient_truth_about_airline_travel,1.html;jsessionid=AA3386B23A3C97BDD178EAC53759EBBA">http://www.listener.co.nz/issue/3470/features/7452/the_inconvenient_truth_about_airline_travel,1.html;jsessionid=AA3386B23A3C97BDD178EAC53759EBBA<br /></a><br /></div>]]></content:encoded></item><item><title><![CDATA[Bob Jones]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/bob-jones]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/bob-jones#comments]]></comments><pubDate>Sun, 30 May 2004 22:12:01 GMT</pubDate><category><![CDATA[business]]></category><category><![CDATA[NZ]]></category><category><![CDATA[profile]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/bob-jones</guid><description><![CDATA[As an interview, it was a disaster. I spent seven hours with Bob Jones, during which time he ordered six bottles of wine and didn&rsquo;t answer one of my questions.I can&rsquo;t say I wasn&rsquo;t warned. Just before our lunch-time interview, he told radio presenter Mike Yardley that he was personally responsible for a recent increase in red wine consumption.I walked away from an afternoon with Bob Jones with my head spinning, and not just from the wine. I couldn&rsquo;t tell you when he got hi [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">As an interview, it was a disaster. I spent seven hours with Bob Jones, during which time he ordered six bottles of wine and didn&rsquo;t answer one of my questions.<br /><br />I can&rsquo;t say I wasn&rsquo;t warned. Just before our lunch-time interview, he told radio presenter Mike Yardley that he was personally responsible for a recent increase in red wine consumption.<br /><br />I walked away from an afternoon with Bob Jones with my head spinning, and not just from the wine. I couldn&rsquo;t tell you when he got his OBE or how he got started in property investment, but I heard stories about him punching out the Czechoslovakian president and making a fortune by sending everyone in England a bill for 12 pounds. He spun yarns about discussing Rastafarianism with Lennox Lewis&rsquo;s mother and meeting Haile Silassie - twice.&nbsp;</div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">In between these incredible tales, Bob managed to offend everyone within in shouting distance and lambasted passers-by for talking on cell phones or wearing dark glasses.<br /><span style=""></span><br /><span style=""></span> Bob Jones was in town promoting his latest book, Degrees for Everyone, a fictional tale that gives voice to his very real distaste for the modern state of Universities.<br /><span style=""></span><br /><span style=""></span> &ldquo;Massey University in Wellington, for example, has a three-year degree in air hostessing,&rdquo; he told Yardley.<br /><span style=""></span><br /><span style=""></span> It takes a lot of confidence to be as politically un-correct as this man and there is no confidence like that of a self-made millionaire.<br /><span style=""></span><br /><span style=""></span> At 21, Bob Jones was lying in hospital waiting to die. He has Addison&rsquo;s disease, for which he still takes cortisone tables twice a day.  <br /><span style=""></span><br /><span style=""></span> &ldquo;I realised I was going to live and so I lay there and I thought: what do I do? What do I do with myself? And for the life of me I couldn&rsquo;t think what I was going to do and so then I thought, well, shit I need to give myself time to think this through and so I need to make some money.&rdquo;<br /><span style=""></span><br /><span style=""></span> Having grown up in a Lower Hutt state house where his father dreamt of making 20 pounds a month, Jones says he had no commercial background or commercial interest.<br /><span style=""></span><br /><span style=""></span> &ldquo;I had one pair of shoes, two pairs of underpants at best, one pair of pants. I had nothing. Less than two years later I was a pound millionaire and it was so bloody easy.&rdquo;<br /><span style=""></span><br /><span style=""></span> Jones says all anyone has to do to make money is stop and think. Turn off the television and the radio and just think.<br /><span style=""></span><br /><span style=""></span> &ldquo;You&rsquo;ve got to be very analytical and give yourself thinking time. It&rsquo;s a series of steps. You say: what&rsquo;s the objective? How to I go about it? What are the impediments? And how do I over come them? And you will always work out the answers to all those questions and then off you go until something goes wrong and then you stop and think again and it&rsquo;s so bloody easy.&rdquo;<br /><span style=""></span><br /><span style=""></span> Ten years ago, Jones was going through a rough time.  &ldquo;I had quite an upheaval in my life and I needed to restore my confidence and I thought: I need to make $100 million. It&rsquo;d make me feel good.&rdquo;<br /><span style=""></span><br /><span style=""></span> He did make $100 million in a short period of time, and insists he did it without any hard work.<br /><span style=""></span><br /><span style=""></span> &ldquo;And everyone thinks I&rsquo;m a genius. I&rsquo;m not a genius. I&rsquo;m not a clever person but I&rsquo;m a very knowledgeable person because I read. And that&rsquo;s another part of it. You have to be imaginative. Ignorance is rife now. Really rife. To be imaginative, you just have to have a broad frame of reference and an inquiring mind, to ask the question why?&rdquo;<br /><span style=""></span><br /><span style=""></span> But even with all this thinking, Jones never worked out what he wanted to do with his life.<br /><span style=""></span><br /><span style=""></span> &ldquo;Well, I did actually work out what I wanted to do. I worked out I didn&rsquo;t want to do anything. The object was to retire at 25. I retired at 23. I gave the business to my staff. They all got rich. And the conclusion I reached was that I never should do any single thing, that to get the most out of life, I would dabble.&rdquo;<br /><span style=""></span><br /><span style=""></span> And Dabble he has. In addition to running his multi-million dollar property business, which he says he works only three hours a week on, Jones has been a successful columnist, sports commentator and head of Boxing New Zealand. He once became a ballet director after taking a fancy to one of the dancers. As a radio presenter, Jones holds the record for defending libel writs.  <br /><span style=""></span><br /><span style=""></span> His recreational pastimes include fly fishing, skiing, tennis, golf and sailing. On a recent ski holiday in Colorado, he learned to ice skate.<br /><span style=""></span><br /><span style=""></span> Jones gave up writing columns and starting writing books because they held more permanence. &ldquo;The columns just became fish and chip wrapping,&rdquo; he says. &ldquo;It&rsquo;s quite a hard thing to destroy a book. It&rsquo;s not wasted.&rdquo;<br /><span style=""></span><br /><span style=""></span> His satirical, comic writing is done at home. &ldquo;I&rsquo;ll start on the second bottle,&rdquo; he says. In the morning he reads what he&rsquo;s written the night before. &ldquo;I&rsquo;ll say, shit that&rsquo;s bloody clever but I don&rsquo;t remember it.&rdquo;<br /><span style=""></span><br /><span style=""></span> Jones next writing foray is uncertain. &ldquo;It&rsquo;s an esoteric little book that no one will want to read and so people say why bother, and that&rsquo;s a very good point so I&rsquo;m thinking about it.&rdquo;<br /><span style=""></span><br /><span style=""></span> All Jones&rsquo; novels have a commercial base, because he never did get away from a commercial life. Shortly after his young retirement, he says he woke up and realised it was &ldquo;actually quite fun doing commercial work. I&rsquo;d made all this money and was now buying buildings and it was bloody fun.&rdquo;<br /><span style=""></span><br /><span style=""></span> Jones says his mother often asks him why he needs so many buildings. &ldquo;And I say I don&rsquo;t know. It&rsquo;s bloody childish. It&rsquo;s a ridiculous childish business and I don&rsquo;t know why I get a kick out of it but I do.&rdquo;<br /><span style=""></span><br /><span style=""></span> His ridiculously childish business, Sir Robert Jones Holdings, has now accumulated around a third of a billion dollars worth of office buildings, mostly in Sydney. At the head office in Wellington, cell phones are banned. Jones believes computers and cell phones are the greatest inefficiency in business.<br /><span style=""></span><br /><span style=""></span> &ldquo;Cellphones are a curse,&rdquo; he says, preferring to have messages taken and returned the old fashioned way. &ldquo;Somebody&rsquo;s probably ringing me right now, I&rsquo;m not there. Does it matter? We&rsquo;ve got all these stupid computers in the place and I can&rsquo;t find out from any of them what they&rsquo;re doing, I say what are you looking at? With all this technology they&rsquo;re turning into mindless robots.&rdquo;<br /><span style=""></span><br /><span style=""></span> As a landlord, Jones takes an unusual approach. &ldquo;Others shave costs. We spend money on the building.&rdquo; Tenants have access to free gymnasiums and personal trainers. He&rsquo;s thinking of employing a full-time doctor to provide free medical treatment and plans to deliver fresh flowers from his 50 acre gardens every Monday.<br /><span style=""></span><br /><span style=""></span> &ldquo;Nobody does this sort of thing. We spare no expense but we keep our tenants,&rdquo; he says.<br /><span style=""></span><br /><span style=""></span> &ldquo;A lot of wealthy people are not that bright,&rdquo; he says. &ldquo;Intelligence is extremely overrated.&rdquo; So what do you need? &ldquo;Passion and the ability to think logically. It really gets down to one thing. It&rsquo;s all about making money. That&rsquo;s really what it&rsquo;s about. Sure you can be passionate about making your yo-yos or providing your service, you know, it&rsquo;s fun to be passionate too, but the ultimate objective is really making money. So what you have to do is to figure out how you can create a monopoly.&rdquo;<br /><span style=""></span><br /><span style=""></span> Of course creating a monopoly isn&rsquo;t as easy as it used to be.  <br /><span style=""></span><br /><span style=""></span> &ldquo;Our economy was structured to be without competition because competition was seen as wasteful. In 1984, if you wanted to start a restaurant you had to notify ever restaurateur within a mile and a hearing would take place in front of a tribunal and you had to produce a paper justifying the need for your restaurant.&rdquo;<br /><span style=""></span><br /><span style=""></span> Jones says life was easy in the old order. &ldquo;If you owned a shoe shop 40 years ago, you lived in Fendalton, you were member of a golf club and maybe you even had two cars. Today, the man that owns the shoe shop is on the bones of his ass and is struggling. Competition does lead to waste but it also leads to the opposite. So the best outcome is to have our sort of system now and be rich and that&rsquo;s within everybody&rsquo;s possibility.&rdquo;<br /><span style=""></span><br /><span style=""></span> Jones says you can do anything in a small country. To prove it, he once made a bet with friends. &ldquo;You think of something and I bet you I&rsquo;m on television as an expert in it within nine months.&rdquo; Public housing was chosen as the subject, money was laid on the table and sure enough, nine months later, Jones and the Minister of Housing were battling it out in a television interview with Ian Fraser.<br /><span style=""></span><br /><span style=""></span> &ldquo;It was so easy.&rdquo;<br /><span style=""></span><br /><span style=""></span> In 1983, Jones proved anything is possible again. This time, the country was at stake.<br /><span style=""></span><br /><span style=""></span> He formed the New Zealand party with the single objective of splitting the conservative vote to keep National out.<br /><span style=""></span><br /><span style=""></span> &ldquo;Under MMP I reckon I would have won the thing. Thank God I didn&rsquo;t,&rdquo; he says.<br /><span style=""></span><br /><span style=""></span> &ldquo;As Lange once said, I was the most successful politician in New Zealand history. &lsquo;He goes to the bloody electorate. Inside two years of forming the party, everything he stood for, which amounted to some unbelievably radical reform, has been carried out and he hasn&rsquo;t even gone into parliament.&rsquo;&rdquo;<br /><span style=""></span><br /><span style=""></span> Jones says he wanted to change the country and to make it happen he just did the same thing he did when he wanted to make money.<br /><span style=""></span><br /><span style=""></span> &ldquo;I just retreated and thought about it.&rdquo;<br /><span style=""></span><br /><span style=""></span> Over the years, Jones has made headlines for punching a television reporter and reportedly paying off Auckland financial journalists to write about his company. He&rsquo;s crass. His swearing was once the subject of a letter from Prime Minister David Lange.<br /><span style=""></span><br /><span style=""></span> &ldquo;It said, &lsquo;Dear Bob, over the weekend I was having dinner with my elderly mother and in the course of conversation your name came up. I have to tell you, she was very laudatory about you but she said &ldquo;it is such a pity he swears when he&rsquo;s on television. David,&rdquo; she said, &ldquo;you&rsquo;re the prime minister, put a stop to this.&rdquo; As prime minister of New Zealand and as instructed by my mother I hereby forbid you to swear on television.&rsquo;&rdquo;<br /><span style=""></span><br /><span style=""></span> The outrageous side of Bob Jones is very well known but long-time friend Margaret Clark says he is also extremely kind and loyal. A professor of political science and international relations at Victoria University, Margaret has known Bob for 45 years.  <br /><span style=""></span><br /><span style=""></span> &ldquo;Five years ago I had surgery for cancer and he had to travel while I was having radiation. He rang me from every place around the globe where he was, outer Mongolia, places where I thought telecommunications didn&rsquo;t exist. Psychologically, it was very helpful to know he and my other friends were thinking of me.&rdquo;<br /><span style=""></span><br /><span style=""></span> Margaret says Bob&rsquo;s pattern for setting goals and going after them was established from an early age.<br /><span style=""></span><br /><span style=""></span> &ldquo;When he was setting out in business, when he was very young, he worked so hard and ate so little that he finished up in hospital.&rdquo;<br /><span style=""></span><br /><span style=""></span> At 64, Jones has seen a lot of life. He travels extensively. He&rsquo;s been married twice and had five or six de facto wives and eight children. At a recent joint birthday party, his oldest turned 38 and his youngest turned one.  <br /><span style=""></span><br /><span style=""></span> With three house staff, Jones says the children are &ldquo;no inconvenience&rdquo;.<br /><span style=""></span><br /><span style=""></span> What keeps him going? &ldquo;I think it&rsquo;s very important for older people to go and do radically different things. It does recharge you.&rdquo;<br /><span style=""></span><br /><span style=""></span> Speaking of recharging, Jones leans forward to inspect the empty bottle on the table and declares. &ldquo;Now, we need some more wine!&rdquo;<br /><span style=""></span><br /><span style=""></span></div>]]></content:encoded></item><item><title><![CDATA[Ast/ro Physics]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/astro-physics]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/astro-physics#comments]]></comments><pubDate>Thu, 02 Jan 2003 08:00:00 GMT</pubDate><category><![CDATA[antarctica]]></category><category><![CDATA[science]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/astro-physics</guid><description><![CDATA[People have looked at the stars for thousands of years, but only about 20 years ago did astronomers become interested in the stuff inbetween.Reversing their focus on the sky, astronomers can see that dark patches in the Milky Way are really giant molecular clouds. These big blobs of gas can be many times the size of the sun. Eventually, these clouds fall in on themselves, the cool gas becomes hot and dense and a star is born.      &ldquo;The details are tricky. We still don&rsquo;t know how it r [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">People have looked at the stars for thousands of years, but only about 20 years ago did astronomers become interested in the stuff inbetween.<br />Reversing their focus on the sky, astronomers can see that dark patches in the Milky Way are really giant molecular clouds. These big blobs of gas can be many times the size of the sun. Eventually, these clouds fall in on themselves, the cool gas becomes hot and dense and a star is born.<br /></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">&ldquo;The details are tricky. We still don&rsquo;t know how it really works,&rdquo; said a South Pole winter scientist Nicholas Tothill from the Smithsonian Astrophysical Observatory.<br />This process of how they form could answer a lot of questions about stars themselves: why are they as big and heavy as they are? Why are there more light stars than heavy stars and more red stars than blue stars?<br />&ldquo;That is determined by what goes on in the galaxy &ndash; by molecular clouds,&rdquo; Tothill said.<br />&ldquo;Stars are fairly well understood,&rdquo; he said. &ldquo;But the gas &ndash; where they come from and where they go to &ndash; we have to understand this stuff.&rdquo;<br />At the South Pole a 1.7mm telescope named AST/RO (Antarctic Submillimeter Telescope and Remote Observatory) has been measuring galactic gas clouds since 1995.<br />Other, similar telescopes operate 16,000 feet high in the Chilean desert and from aircraft and satellite, but the dry air over the South Pole makes the best land-based viewing site in the world.<br />&ldquo;In submillimeter astronomy, light gets absorbed by atmospheric water vapor so cold, dry air is very good stuff,&rdquo; Tothill said.<br />AST/RO picks up submillimeter-wave radiation emitted by dense gas and dust between the stars.<br />These areas seem black to the human eye but the gas molecules actually emit a non-visible light. The wavelengths of that light can be picked up by submillimeter telescopes like AST/RO.<br />Concentrating on the wavelengths given off by highly excited carbon monoxide molecules, AST/RO can locate star-forming cores and study the structure and movement of molecular clouds and how the other elements in the galaxy affect them.<br />Winter is the prime observation time for AST/RO, when the water vapor concentration is lowest so summers are mostly dedicated to maintenance, repair and development work.<br />The researchers want to minimize the chance of something going wrong during the isolation of winter.<br />Last year, a new laser-driven receiver was installed. Tothill said the new receiver would provide a higher, more stable frequency for the telescope.<br />It is the highest-frequency radio astronomy receiver in the world. The lower frequency receivers, were only a few centimeters in size but a larger and heavier device is needed to operate at frequencies of 1400 gigahertz.<br />&ldquo;Basically, we&rsquo;ve replaced something that weighed a few ounces with something that weighs 3,000 pounds (1,360 kg). The only place we could do that is from the ground.&rdquo;<br />The two-meter long receiver, which was fine tuned by technicians over summer, will be mounted to the ceiling in the cramped building 800 meters from the geographic South Pole.<br />The actual telescope is on the roof of the building. It sends the radiated light to the receiver through a series of mirrors.<br />The project is headed by Antony Stark of the Smithsonian Astrophysical Observatory. AST/RO works as a consortium, with participants from several universities and accepts research proposals from the wider scientific community.<br /><br /></div>]]></content:encoded></item><item><title><![CDATA[Fashion bedlam: The story of Nom*D]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/fashion-bedlam-the-story-of-nomd]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/fashion-bedlam-the-story-of-nomd#comments]]></comments><pubDate>Tue, 31 Dec 2002 23:05:55 GMT</pubDate><category><![CDATA[business]]></category><category><![CDATA[fashion]]></category><category><![CDATA[NZ]]></category><category><![CDATA[profile]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/fashion-bedlam-the-story-of-nomd</guid><description><![CDATA[Woman TodayBy Kris HerbertIt&rsquo;s hard to imagine New Zealand fashion without iconic Dunedin label, Nom*D, yet when Margarita (Margi) Robertson and her husband Chris started the company 1986, the words &ldquo;New Zealand&rdquo; and &ldquo;fashion&rdquo; were scarcely uttered in the same sentence.      What&rsquo;s even harder to imagine is that Margi, who is now recognised as one of our most important fashion icons, left school with plans to become and &ldquo;office girl&rdquo;. &ldquo;It was [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">Woman Today<br />By Kris Herbert<br /><br />It&rsquo;s hard to imagine New Zealand fashion without iconic Dunedin label, Nom*D, yet when Margarita (Margi) Robertson and her husband Chris started the company 1986, the words &ldquo;New Zealand&rdquo; and &ldquo;fashion&rdquo; were scarcely uttered in the same sentence.<br /></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">What&rsquo;s even harder to imagine is that Margi, who is now recognised as one of our most important fashion icons, left school with plans to become and &ldquo;office girl&rdquo;.<br /><br /><span style=""></span> &ldquo;It was the 60s and at that time, most girls, if they weren&rsquo;t going to be a nurse or a teacher, then they would work in an office,&rdquo; Margi says. &ldquo;It was never really an option within our family for myself or any of my siblings to go to university.&rdquo;<br /><br /><span style=""></span> So Margi studied commerce, learned shorthand, typing and balance sheets, and worked in an office for seven years before she opened Hang Ups Boutique in Dunedin.  <br /><br /><span style=""></span> &ldquo;I&rsquo;d always had a fascination with fashion and clothing. My mother always worked in clothing factories and we always sewed at home.&rdquo;<br /><br /><span style=""></span> For a family of six children, including for girls, sewing at home was a necessity.  <br /><br /><span style=""></span> &ldquo;As soon as we could use the sewing machine, we were making our own clothes. My mother taught us about manipulating patterns to give garments your own style.&rdquo;<br /><br /><span style=""></span> Hang-ups Boutique started in 1975. After 11 years of retail, Margi understood the industry well enough to get involved from the production end. The Nom*D label first appeared on a modest knitwear range in 1986.  <br /><br /><span style=""></span> &ldquo;Being in retail, I had an understanding what customers liked and wanted and it was also an opportunity to use my own creativity,&rdquo; Margi says.<br /><br /><span style=""></span> Margi describes the mid-80s as buoyant time for fashion in New Zealand. Dunedin manufacturers were doing well and exporting to the US, but the garments were main stream and commercial.<br /><br /><span style=""></span> &ldquo;There was not a lot of high end or avant guard fashion,&rdquo; She remembers. &ldquo;New Zealanders weren&rsquo;t really aware of what fashion was on an international level.&rdquo;<br /><br /><span style=""></span> The first Nom*D collection as just 12 garments, all made in Dunedin. &ldquo;We were quite sort of very very small time,&rdquo; Margi says. &ldquo;The opportunity to have it made in Dunedin is probably what got us started.&rdquo;  <br /><br /><span style=""></span> Being a creative hub, Dunedin was also a great place to experiment and Margi says the years from 1986 to 1999 were a huge growing time.<br /><br /><span style=""></span> In 1999, Nom*D hit the big time. Margi and her team, along with Karen Walker, World and Zambesi, became the &ldquo;big four&rdquo; of New Zealand fashion when they landed on the catwalks of London Fashion Week, where they were hailed as style leaders for their &ldquo;dark and intellectual&rdquo; look.<br /><span style=""></span><br /><span style=""></span> Nom*D may be the smallest of the &ldquo;big four&rdquo;, and that was entirely by design, Margi says.<br /><br /><span style=""></span> &ldquo;I like where we are in the fashion world,&rdquo; Margi says. &ldquo;I feel proud of what we&rsquo;ve achieved on an international scale.&rdquo;<br /><br /><span style=""></span> About 60 percent of the company&rsquo;s sales are exports, with Japan being Nom*D&rsquo;s biggest export market.<br /><br /><span style=""></span> Nom*D is often compared to Zambesi, which was started by Margi&rsquo;s sister Elisabeth Findlay in 1979, but Margi has worked hard to maintain individuality.<br /><br /><span style=""></span> &ldquo;In the early days, there was a little bit of thinking that Nom*D was part of Zambezi because we used to sell our collections together &ndash; we would set up in the same room.&rdquo;<br /><br /><span style=""></span> But Margi says she deliberately gave Nom*D its own space to avoid confusion. &ldquo;I wanted to give credit to the people in Dunedin who worked so hard to create the brand of Nom*D. At the end of the day, Zambesi is a really big company and we&rsquo;re not.&rdquo;<br /><br /><span style=""></span> The sisters do sometimes travel to Europe together and, Margi says, &ldquo;We are each other&rsquo;s best customers.&rdquo;  <br /><br /><span style=""></span> Some of Nom*D&rsquo;s retail stockists have been with the label since its inception.<br /><br /><span style=""></span> &ldquo;I&rsquo;d been in retail for all those years and so I started to find like-minded retailers and started to build relationships with them. Then, when we started going into Australia, we started with one store in Melbourne and built it from there. It&rsquo;s amazing the way things grow and you find like-minded people.&rdquo;<br /><br /><span style=""></span> Margi now has a network of like-minded people all over the world that includes many loyal customers. Margi says retailers around the world tell her that when people discover Nom*D, they come back for it season after season.<br /><br /><span style=""></span> &ldquo;We find that once people get their first few Nom*D garments, they are hooked,&rdquo; Margi says. &ldquo;I think that&rsquo;s because they&rsquo;re so comfortable and easy to wear. We can do the layering and styling for you all in one garment or it can be as simple as you want it to be.&rdquo;<br /><br /><span style=""></span> So, who are Nom*D customers? &ldquo;We make clothes that anybody could wear but not everyone would wear,&rdquo; Margi says. &ldquo;Our clothes are not flashy. If you want to stand out in a crowd, you wouldn&rsquo;t choose Nom*D. I think our customers are people who are quite comfortable with themselves.&rdquo;<br /><br /><span style=""></span> Margi says Nom*D is utilitarian and wearable above all else. &ldquo;There&rsquo;s a sort of toughness about it &ndash; both in the garment and the style.&rdquo;<br /><br /><span style=""></span> &ldquo;Individual&rdquo; and &ldquo;unique&rdquo; are also words she uses to describe her garments. Like Dunedin, Nom*D is real. It has a sense of humour and is influenced by tradition &ndash; Gothic in feel but never too serious.<br /><br /><span style=""></span> Margi says there&rsquo;s no doubt Nom*D is influenced by Dunedin: &ldquo;This is where I live,&rdquo; she says plainly.<br /><br /><span style=""></span> But the Nom*D values are more general. &ldquo;Nom*D is very real &ndash; very wearable. There is not a lot of frivolity about the garments. They do have a bit of a dark side but there is also a bit of a sense of humour about what we do. We don&rsquo;t&rsquo; make things that are frivolous. We make things that can be worn &ndash; a lot.&rdquo;<br /><br /><span style=""></span> Margi&rsquo;s love of tradition and utilitarian forms means that garments have a sense of familiarity. &ldquo;They have a feeling of tradition &ndash; like you&rsquo;ve seen it somewhere before but not quite the same.&rdquo;<br /><br /><span style=""></span> Last year, Nom*D created a motto that has stuck: Cum Grano Salis, which means &ldquo;with a grain of salt&rdquo;.<br /><br /><span style=""></span> The motto came from a collection Margi did last year, which used a lot of ideas from school uniforms, which often feature a crest and a motto. Cum Grano Salis sums up Margi&rsquo;s philosophy and sense of humour.<br /><span style=""></span><br /><span style=""></span> &ldquo;I hate it when everything gets too serious and too thought out and too perfect. We&rsquo;ve started naming our collections, and they are usually a bit of a play on reality,&rdquo; she says.<br /><br /><span style=""></span> <em style="">Operation Bombshell</em>  was a collection that used lingerie.<br /><br /><span style=""></span> &ldquo;A lot of the collection had been influenced by corsetry but by same token on the t-shirt prints, we had images taken from bomb testing in Nevada desert, which was a real contrast of ideas. H-bombs are quite serious but at the end of the day, we showed ridiculousness of what was going on in Nevada desert - silhouettes of guys watching the bombs as if they were a tourist attraction.&rdquo;<br /><br /><span style=""></span> To Margi&rsquo;s surprise, the H-bomb t-shirts sold really well in Japan.<br /><br /><span style=""></span> Another collection was called <em style="">Caveat Emptor</em>, or <em style="">buyer beware</em>.  &ldquo;It&rsquo;s quite a funny thing to call a collection,&rdquo; Margi admits, &ldquo;It was just saying everything&rsquo;s not as it first seems.&rdquo;<br /><br /><span style=""></span> Winter 2009 is the Bedlam collection, which started with an old eaten school blazer.  <br /><br /><span style=""></span> A blazer with screen-printed stripes came into form and the collection was built around it. &ldquo;We thought, okay, we&rsquo;ve got this full-on, colourful garment, what are we going to put with it. And the idea was that we would make it quite crazy and use pyjama prints.&rdquo;<br /><br /><span style=""></span> Rummaging around for ideas of chaos and madness, the word bedlam came up and a quick Google search unearthed the story of the unruly Bedlam asylum, where the inmates were on display for the amusement wealthy 18th century Londoners. And so Bedlam came to be a word for disorder.<br /><br /><span style=""></span> The name was a good fit for the collection, as Margi says fresh ideas are often born from the chaos of creativity.<br /><br /><span style=""></span> Bedlam continues Margi&rsquo;s well-known experimentation with form and construction. Boiled blazers and double waistcoats are thrown into the mix with vintage-look pyjama prints and Fair Isle knitwear. Securely wrapped dresses have a suggestion of straightjackets.  <br /><br /><span style=""></span> Her favourite garments this year? &ldquo;I tend to get a couple of things from the collection and they tend to be my uniform.&rdquo;  <br /><br /><span style=""></span> For her trip to the northern hemisphere, Margi pinched a few garments from the winter collection, including a toasty zipped anorak, which she says served her well.<br /><br /><span style=""></span> &ldquo;People talk about Dunedin being cold but you don&rsquo;t know what cold is until you&rsquo;ve experienced New York in winter.&rdquo;<br /><br /><span style=""></span> A garment Margi says she &ldquo;could wear everyday if I let myself&rdquo;, is the Mercury vest, which is loosely based on the Mercury motorcycle jacket. &ldquo;It hides a multitude of sins,&rdquo; she says.<br /><br /><span style=""></span> The way the Bedlam collection evolved is typical, Margi says. &ldquo;One collection grows off another, so often we&rsquo;ll reference back to something we&rsquo;ve done before. It&rsquo;s an evolution of one style falls into another. Or it starts with one garment. For Operation Bombshell, I bought this amazing old corset. I never ever want to reproduce an old garment, but it&rsquo;s a case of looking at it and saying, how can we take some ideas off this?&rdquo;<br /><br /><span style=""></span> There&rsquo;s no formula, Margi says. &ldquo;We never consistently start with an idea and build on it from there. The collection grows off a couple of different ideas and towards the end we start to think about what the collection telling us.&rdquo;<br /><br /><span style=""></span> Margi&rsquo;s collections do have something to say, but they are never overt.<br /><br /><span style=""></span> &ldquo;I don&rsquo;t think we have to verbalise it too much. If people don&rsquo;t get it, they don&rsquo;t get it,&rdquo; she says.  <br /><br /><span style=""></span> If not everyone &ldquo;gets it&rdquo;, Margi doesn&rsquo;t mind. &ldquo;We&rsquo;re not prepared to compromise our style ideas for the sake of commercialism. If we wanted to be wealthy, we probably would and could.&rdquo;<br /><br /><span style=""></span> For Margi, the rewards come from those people that do &ldquo;get it&rdquo;. Asked what she loves most about Nom*D, she says, &ldquo;I love the way that the staff really believe in it. And the great feedback that we get from people outside of our world. When people can relate to what we&rsquo;re doing, that&rsquo;s a huge accolade for us.&rdquo;<br /><span style=""></span></div>]]></content:encoded></item><item><title><![CDATA[Multi-million dollar feminine democracy]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/multi-million-dollar-feminine-democracy]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/multi-million-dollar-feminine-democracy#comments]]></comments><pubDate>Fri, 30 Aug 2002 21:56:26 GMT</pubDate><category><![CDATA[business]]></category><category><![CDATA[fashion]]></category><category><![CDATA[profile]]></category><category><![CDATA[woman today]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/multi-million-dollar-feminine-democracy</guid><description><![CDATA[Woman Today, September-October 2002 Trelise Cooper doesn&rsquo;t apologise for doing business like a woman. In fact, her unorthodox ways and highly personal feminine values may go a long way towards explaining her success.&nbsp;The 44-year-old fashion designer, wife and mother steers one of New Zealand&rsquo;s biggest fashion success stories.       	 		 			 				 					 						  In just five years, Trelise Cooper, the company, has grown from a modest outlet for personal expression to a multi-millio [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">Woman Today, September-October 2002<br /><span style=""></span><br /><span style=""></span> Trelise Cooper doesn&rsquo;t apologise for doing business like a woman. In fact, her unorthodox ways and highly personal feminine values may go a long way towards explaining her success.&nbsp;The 44-year-old fashion designer, wife and mother steers one of New Zealand&rsquo;s biggest fashion success stories.<span style=""></span><br /><span style=""></span></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div><div class="wsite-multicol"><div class="wsite-multicol-table-wrap" style="margin:0 -15px;"> 	<table class="wsite-multicol-table"> 		<tbody class="wsite-multicol-tbody"> 			<tr class="wsite-multicol-tr"> 				<td class="wsite-multicol-col" style="width:96.241610738255%; padding:0 15px;"> 					 						  <div class="paragraph" style="text-align:left;">In just five years, Trelise Cooper, the company, has grown from a modest outlet for personal expression to a multi-million dollar, international company. Between her own offices and outsourced manufacturing, Trelise Cooper provides jobs for around 550 people in the New Zealand fashion industry.<br /><br />The Trade NZ export award winner had an annual turnover of $8 million last year, half of which were export earnings.<br /><br />Trelise Cooper designs have attracted the attention of the woman who is arguably the most influential figure in the fashion of popular culture. Sex and the City wardrobe director Rebecca Weinberg has bought 12 Trelise Cooper garments after Melbourne Fashion Week. Now, the dresser of television&rsquo;s sexiest series has come back to the Antipodes to take in more of New Zealand&rsquo;s cutting edge design at fashion week.<br /><br />As a businessperson, Trelise Cooper stands apart from the crowd. Not just because of the wild mass of blond curls, blood red lips and expressive dress sense.<br /><br />No, Trelise Cooper could be the ultimate poster-girl for women in business because she has not pushed her emotional self away to succeed in business. Instead she has used her feminine traits to her advantage.<br /><br />Trelise is like many women, really &ndash; complicated and spiritual, strong yet vulnerable, bold but delicate.<br /><br />She is also heavily reliant on intuition and she uses her &ldquo;gut feeling&rdquo; for everything from designing to running the company.<br /><br />&ldquo;I work on instinct &ndash; if it doesn&rsquo;t feel right in my gut, I don&rsquo;t do it. Privately, I&rsquo;m quite a spiritual person and those philosophies come through in the way I do business.&rdquo;<br /><br />Trelise doesn&rsquo;t understand the phrase, &ldquo;This is business; it&rsquo;s not personal.&rdquo;<br /><br />&ldquo;I believe that the people are the business and that business is personal. It is emotional. We&rsquo;re not robots. I acknowledge that and don&rsquo;t try to cut it off.&rdquo;<br /><br />Trelise describes her business as a &ldquo;feminine democracy&rdquo;.<br /><br />&ldquo;My business is run on feminine values and ways, completely different to the male way of measuring and checking and calculating and going about things logically. My business is very emotional. We do a lot of talking and communicating. The women who work here are strong, creative talented women and they have a voice.&rdquo;<br /><br />Trelise&rsquo;s own voice comes through most strongly in her designs &ndash; which is also ruled by intuition.<br /><br />&ldquo;I don&rsquo;t want to sound too weird but I really think of designing as intuitive, spiritual and dreamlike. It&rsquo;s a meditative space and a creative space. I have less and less time for it these days, but it is the most important thing I do.&rdquo;<br /><br />Trelise has four labels &ndash; Trelise Cooper, cooper, Doll and now Luscious, a label which she says caters to &ldquo;the more luscious among us&rdquo;.<br /><br />With all her designs, Trelise has always bucked the trends. &ldquo;I would travel overseas to see what I wasn&rsquo;t going to do.&rdquo;<br /><br />&ldquo;I&rsquo;ve always had a passion for clothes but I&rsquo;ve never had formal training so I don&rsquo;t do anything in a conventional way,&rdquo; she says, &ldquo;and I have a freedom in that. If I want to buy fabric because it&rsquo;s beautiful, I do. If I want to add detail, I do. It&rsquo;s not about price, it&rsquo;s about want. If you get the design and the spirit and the passion, something in that garment calls out to be worn, then the other part looks after itself."&nbsp;&nbsp;<br /><br />Trelise is renowned for using bold colour and rich detail. She holds one thing at the core of her design principles &ndash; the wearer.<br /><br />"A lot of love, attention, thought, even prayer if you like goes into each garment. I think about a woman's body, think what she wants to reveal and what she wants to hide. I think about what she might want to do in these clothes, who she might want to be with.<br /><br />&ldquo;I hope each of my garments will be an opportunity for her to express who she is &ndash; an opportunity to redefine herself in a way and discover something about herself by the way she wears it.&rdquo;<br /><br />The woman who wears Trelise Cooper is, according to its creator, &ldquo;not afraid to show her personality. She's a risk taker and she has the courage to express herself. She's not trying to conform to the look of the season. She's brave enough to wear colour when colour isn't been shown elsewhere. She is sexy and she likes her feminine side but she can be passionate about the boardroom too. She is vulnerable at heart but strong when she needs to be."&nbsp;&nbsp;<br /><br />In other words, she is very like Trelise Cooper herself.&nbsp;&nbsp;<br /><br />"I felt when shopping for myself in my 40s that I couldn't find anything funky and sexy that took into account my new body, my curves and I really wanted to produce something that spoke to the woman like myself."<br /><br />Trelise believes fashion trends come from a collective conscious. Maybe now she has become a part of that collective conscious herself. This year, for the first time she has seen reflections of her original ideas popping up in other parts of the international fashion world.<br /><br />Whether they match up with the trend forecasters or not, Trelise Cooper&rsquo;s customers can rest assured that all Trelise Cooper&rsquo;s garments come straight from the heart.&nbsp;<br /><br />&ldquo;It truly comes from that space in me.&rdquo;<br /><br />Trelise starts her creative process in the quiet space at her beach house and finishes it with her team at the Trelise Cooper design studio.<br /><br />Staying ahead of the game means choosing fabrics way in advance. In the next couple of weeks, she&rsquo;ll have to choose the fabrics for the summer 2003 range &ndash; putting in large orders to reserve the fabrics for her exclusive use.<br /><br />&ldquo;When I&rsquo;m buying the fabrics I don&rsquo;t even know what the range will be so I have to really trust my gut.&rdquo;<br /><br />Choosing from a small square of fabric or a little nick of colour doesn&rsquo;t always give the &ldquo;gut&rdquo; enough to work with.<br /><br />&ldquo;Sometimes I get a fabric back to the workroom and I think &lsquo;what was I thinking that day. I absolutely hate it.&rdquo;<br /><br />When that happens, Trelise and her team take the would-be mistake in judgement as a challenge to the creative process.<br /><br />&ldquo;We try to turn it into the best piece of the season.&rdquo;<br /><br />Trelise says designing is what she loves the most but the larger the business gets, the more challenging it becomes for Trelise to focus on designing.&nbsp;&nbsp;<br /><br />&ldquo;I do have a very supportive team. But the bigger we get, the more staff and the more complexities we have.&rdquo;<br /><br />There is also a very full personal life to juggle into the mix.<br /><br />&ldquo;I&rsquo;m a wife and a mother in addition to running a large company on my own.&rdquo;<br /><br />Husband Jack Cooper is one of Australasia&rsquo;s leading fabric wholesalers. Trelise began dabbling in fashion business after their marriage in the 1980s.<br /><br />She then took nine years out to raise her son, Jasper, who was born in 1988.&nbsp;<br /><br />&ldquo;I&rsquo;m really pleased I took that time,&rdquo; Trelise says.<br /><br />As Jasper got older, Trelise filled in her time volunteering.<br /><br />&ldquo;I loved that [volunteering] but there was an inner part of me that needed some expression. I was really ready to come back to work. Now it&rsquo;s really busy and I do find it a challenge to keep it all in balance.&rdquo;<br /><br />She describes her typical day as &ldquo;troubleshooting&rdquo;, dealing with anything that comes her way.<br /><br />In addition to a large New Zealand business, Trelise also runs sister company in Australia.<br /><br />At home Trelise has been nursing her 27-year-old stepdaughter back to health after brain surgery.&nbsp;&nbsp;<br /><br />Through it all, Trelise works hard to make sure she and son Jasper, now 14, still have good mother and son time. She tries to plan her travel so Jasper can come along.<br /><br />&ldquo;It&rsquo;s really good time together. We have the time on the plane and in the hotel. And we go away to the beach house. I like to have him and his friends there and have a big cook up.&rdquo;<br /><br />Trelise also travels with Jasper to sporting events, including his upcoming challenge for the national Tae Kwon Do title.<br /><br />Husband Jack says Trelise &ldquo;packs three lives into one&rdquo; and he&rsquo;s not wrong.<br /><br />Trelise Cooper, the company, is currently working to full capacity after a 250 per cent increase in domestic sales and a 350 per cent increase in Australian sales last year. As she prepares a winter collection to show at New Zealand Fashion Week in October, Trelise has one eye on the international market, which she has already delved into with a large order from Hong Kong this year.<br /><br />She can afford to be picky.<br /><br />&ldquo;The international market is only worthwhile if it&rsquo;s a really meaty order.&rdquo;<br /><br />For Trelise, making clothes has never been about money anyway.<br /><br />"My whole aim in setting up this business was to have self expression as a woman; to create a woman's space in my working and selling environment; to do what I absolutely, passionately love which is creating clothing. If you emphasise the right things, the money comes naturally."&nbsp;&nbsp;<br /><br /><br /></div>   					 				</td>				<td class="wsite-multicol-col" style="width:3.758389261745%; padding:0 15px;"> 					 						  <div class="wsite-spacer" style="height:50px;"></div>   					 				</td>			</tr> 		</tbody> 	</table> </div></div></div>]]></content:encoded></item><item><title><![CDATA[Woman Today: Fighting Abuse]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/fighting-abuse]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/fighting-abuse#comments]]></comments><pubDate>Wed, 20 Mar 2002 08:00:00 GMT</pubDate><category><![CDATA[woman today]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/fighting-abuse</guid><description><![CDATA[It started when she was just 10. Always on a weekend morning when her mother had gone to work. Hannah's father would take her into his room and force her to perform oral sex and intercourse. With a drawer full of sex toys, he carried out his kinky fantasies on his not-yet-pubescent daughter. He would brag to her about his infidelity with other women and how he forced Hannah's mother into threesomes.      For five years, Hannah and her younger sister were subject to weekly sessions of abuse by th [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;"><span style="background-color: transparent;">It started when she was just 10. Always on a weekend morning when her mother had gone to work. Hannah's father would take her into his room and force her to perform oral sex and intercourse. With a drawer full of sex toys, he carried out his kinky fantasies on his not-yet-pubescent daughter. He would brag to her about his infidelity with other women and how he forced Hannah's mother into threesomes.</span><br /></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <div class="paragraph" style="text-align:left;">For five years, Hannah and her younger sister were subject to weekly sessions of abuse by their father. "I can remember being relieved when he picked my sister instead of me. And that's a terrible thing to think but I just didn't want it to be me."<br />To keep the sisters quiet, Hannah's father threatened them. He drove a wedge between the sisters and warned them that their mother was on the verge of a nervous breakdown and if they told her of his actions, it would surely send her over the edge.<br />When she was 14, Hannah was raped by a family friend. The man asked their father to take the kids skiing. When they arrived at the ski area, he paid for the others to go skiing but held Hannah back. "I want to take you for a drive," he told her. Hannah guessed what this man's intentions were but was helpless to fight. He drove her part way down the hill and then forced himself on her in the car. He told there was no point fighting - he knew she wasn't a virgin. Hannah guessed her father had been bragging to his friend.<br />Finally, at the age of 15, Hannah threatened to go to the police if her father did not let her leave home. He acquiesced.<br />Once a promising student with ambitions to be a commercial artist, Hannah left school with no qualifications and headed out on her own.<br />But years of emotional isolation and an unhealthy understanding of love and sex left Hannah ill-equipped to face the real world.<br />Despite the fact that she was extremely scared of men and frightfully shy to speak to them, Hannah became very promiscuous - looking for love through sex. Then, at the age of 17, she fell pregnant and married the father of her child.<br />"My husband was controlling. He was just like my father. He was even kinky like my father and played around."<br />Eventually Hannah though she would "go around the twist" and so - with two young children - she left her husband at the age of 21.<br />After the split, Hannah returned to her promiscuous ways."I had a lot of relationships. I picked men that were weak in some way."<br />Gradually Hannah forced herself through her shyness - working her way into a career as a fashion designer and eventually running her own company.<br />In 1992, Hannah felt ready to face her past in order to move forward. She started counselling and received lump-sum compensation from ACC. Through counselling, she learned to deal better with issues about sex, relationships, self-esteem and parenting.<br />The parenting problems were the most unexpected. When her daughters reached the age of 10 - the age when Hannah's abuse had begun - she found herself recoiling from their affection."It's not that I didn't want to, it's just that I couldn't bring myself to give them affection. It took me years to deal with that one but it has improved."<br />Even after leaving home, Hannah's father had a heavy influence in her life. Finally, one day she decided it wasn't worth it. She didn't want to have to prove herself any more. So she stopped ringing her parents and no communication passed between them for several years.<br />Her parents moved to Australia. Then one day her father rang. "We haven't heard from you for a while," he said. "Your mother wants to know why and I don't know what to tell her." Hannah didn't know what to say.<br />He told her: "When I look in the mirror, I see an arsehole. I'm sorry for what I did to you but it happened to me as well." He also said that if Hannah's mother ever found out about his abuse, he would kill himself.<br />This phone call was devastating for Hannah. All the pain that she'd pushed out of her mind came flooding back, fuelled by a new sense of anger and hurt that - after all these years - her father still held her in the grasp of his threats.<br />The stress from this re-introduction of her father's presence triggered a decline in Hannah's psychological well-being."I thought I'd dealt with it but he forced his way back in."<br />Hannah's work suffered. She became depressed and even broke out into boils. To make things worse, her father rang again to say they were considering moving back to New Zealand. Hannah's business failed, her husband became ill and they were on the verge of bankruptcy. As she found herself sinking lower than ever, Hannah went back to ACC for further entitlements.<br />Hannah was warned by both her GP and ACC that her claim was likely to be rejected but she was willing to fight. She had worked hard to overcome the handicaps of being a sexual abuse survivor. This wasn't a greedy hunt for money. It was an honest appeal for financial assistance when she had nowhere else to turn.<br />ACC commissioned a psychologist to assess Hannah and after speaking with her for two hours, determined that only 55 per cent of her current depressive episode could be attributed to the abuse.<br />ACC refused her claim so Hannah sought the advice of a solicitor. Another psychological report was done and that one attributed 80 per cent of the problem to childhood abuse.<br />The information was re-submitted to ACC and at the review, the ACC representative announced that the corporation had decided to retract its decision to refuse Hannah's claim.<br />Hannah had the will and the strength to battle ACC but she believes that many like her would not have the confidence to take on the corporation.<br />Although her strength and determination are remarkable, her case is by no means unique. Christchurch lawyer Matthew Shepherd says people approaching ACC with sensitive claims are rarely given a full description of their entitlements. "It's a common situation. People suffer tragic abuse then go in for counselling and approach ACC. They're told they're not eligible and so they get representation.<br />"Any time you go to battle against a huge organisation like ACC, many people need help. The law in that area is complex. You're dealing with things which are not straightforward."<br />His company, and others like it, counsel clients on what they are entitled to and then makes sure that they receive these entitlements.<br />Auckland Lawyer Lorraine Smith also deals with sensitive claims to ACC. She says people who come to her are frightened. "ACC gives very little information out. They are a big, faceless organisation."<br />For its part, ACC says it does brief its clients on what entitlements they are eligible for. But if they are still not clear, an ACC spokesperson suggests people look for help from other organisations such as the Rape Crisis Centre, Community Law Centres or an organisation called Combined Beneficiaries in Auckland.<br />Today Hannah is working full-time again and continuing with counselling. She is determined to overcome what remains of the psychological detritus left over from her abuse so that she can achieve a normal, healthy life for the future. She plans to write a book about her experiences to help others gain the courage to heal.<br /><br />A New Zealand study of 3000 women found that sexual abuse within the family occurred for 12 per cent of those sampled, or one in eight women. Survivors of incest are less likely to report their abuse to the police than people who are raped by a stranger. Incest often remains a secret. The abuse survivor expects to be blamed, feels embarrassed or doesn't want to upset anyone. They may be protecting the abuser or fearing the abuser.<br />Possible long term effects of incest include problems with sex (physical, emotional and mental), problems with close relationships, depression, self-destructive behaviours, difficulty parenting and eating difficulties.<br />Is Sexual Abuse on the increase?<br />It is very difficult to tell, says Sexual Abuse Help crisis co-ordinator Janice Giles.<br />"Our incident calls are way up since 1994. We get two and a half times more callouts now but that doesn't necessarily mean there are more incidents."<br />She says the increase in reporting could be due to people feeling more comfortable about coming forward.<br />According to NZ Police statistics, Sexual crimes account for .7 per cent of all crime.<br /><br /></div>]]></content:encoded></item><item><title><![CDATA[Anita Roddick]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/anita-roddick]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/anita-roddick#comments]]></comments><pubDate>Sun, 20 May 2001 07:00:00 GMT</pubDate><category><![CDATA[profile]]></category><category><![CDATA[woman today]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/anita-roddick</guid><description><![CDATA[Anita Roddick lives her life between a rock and a rubber bullet. On one hand, she is the CEO of a large international corporation. On the other hand, she is a passionate activist for issues of justice and the environment.These two things don&rsquo;t normally go hand in hand, as Anita has discovered.      "The left don&rsquo;t like me because I run a successful business and the right don&rsquo;t like me because they think I&rsquo;m just spouting off all this left-wing stuff."But Anita makes no ap [...] ]]></description><content:encoded><![CDATA[<div  class="paragraph editable-text" style=" text-align: left; ">Anita Roddick lives her life between a rock and a rubber bullet. On one hand, she is the CEO of a large international corporation. On the other hand, she is a passionate activist for issues of justice and the environment.<br />These two things don&rsquo;t normally go hand in hand, as Anita has discovered.<br /></div>  <div >  <!--BLOG_SUMMARY_END--></div>  <div  class="paragraph editable-text" style=" text-align: left; ">"The left don&rsquo;t like me because I run a successful business and the right don&rsquo;t like me because they think I&rsquo;m just spouting off all this left-wing stuff."<br />But Anita makes no apologies. She took to the streets in Seattle to protest against the WTO in 1999 and she has just released a book, Take it Personally, which is a call to action for people to take a stand against globalisation.<br />A self-professed hippie, Anita never expected to be the head of an international company anyway.<br />"I would have slit my wrists if I&rsquo;d have known. It wasn&rsquo;t meant to be that big. It was just meant to be a livelihood. It was just supposed to get my by until my husband got back from riding a horse across South America and then we were going to move to Australia and start a pineapple plantation. It wasn&rsquo;t meant to last.<br />"Then I realised I could use the shops to project and promote issues that we all cared about."<br />From the very start, the Body Shop has had its ideals of activism and social responsibility written into its legal documents.<br />"The purpose of being was to promote human rights and environmental issues."<br />In the business world, Anita is greatly frustrated by the principal of "profits before people".<br />"Up your bum to that," she says. "Nobody was put on this planet to increase profit margins. We were put here to be caring citizens, good mums and dads. The profit and loss line does not include justice."<br />Take it Personally, is a collection of essays from some the world&rsquo;s leading globalisation authorities and activists.<br />Anita was motivated to write the book after she attended the protests at the Seattle WTO conference. Through the hail of batons and rubber bullets, when the fog of the teargas cleared, what Anita and others there determined the movement needed was to become more populous. It needed to get out of academia and into the hands of the ordinary people, and out to people who are part of the vigilante consumer movement.<br />So Anita wrote Take it Personally to get the message about globalisation into the hands of the public.<br />She says she&rsquo;s aimed the book at students and young people &ndash; which is evident by the trendy, pictorial based design.<br />"So much of what is out there is just words, words, words. I knew we had to use graphics if we were going to get people&rsquo;s attention."<br />Anita describes the anti-globalisation movement as the biggest movement since the civil rights movement. She thinks the universities are being energised to take it up.<br />"Up to two years ago the only energy in universities was snoring in the library. But there are many planks in this platform &ndash; child labour, sweatshops, injustice."<br />Thing that angers Anita most is injustice. "Trade injustice the shaving away of empathy for the human condition."<br />But who is she to complain? Part of the problem with globalisation is the development of a global monoculture, where the proliferation of chain stores wipes out regional individuality. So doesn&rsquo;t Anita sometimes feel the contradiction between her success and her principles?<br />"Not really, because we do things in a different way &ndash; we&rsquo;ve got a whole initiative called community trade. We go to the place where our products are sourced and buy them directly. We don&rsquo;t buy through the commodities markets. A lot of our ideas come from local places and the way we purchase is really interesting. If you go to the Caribbean stores, they are full of rasta colours. I have fought very hard against having to homogenised a brand and fought to keep it idiosyncratic."<br />If people could take just one thing away from her latest book, Anita hopes it would be the message, "Get active!"<br />"Ask questions and know what conditions the products you buy are made under because the consumer does have power and shopping is a political activity."<br /><br /></div>  ]]></content:encoded></item><item><title><![CDATA[Nita Henry’s private battle with Crohn’s]]></title><link><![CDATA[http://www.font.net.nz/words--ideas/-nita-henrys-private-battle-with-crohns]]></link><comments><![CDATA[http://www.font.net.nz/words--ideas/-nita-henrys-private-battle-with-crohns#comments]]></comments><pubDate>Wed, 30 Jun 1999 21:48:51 GMT</pubDate><category><![CDATA[Uncategorized]]></category><guid isPermaLink="false">http://www.font.net.nz/words--ideas/-nita-henrys-private-battle-with-crohns</guid><description><![CDATA[Driven by a need to create and a drive to be successful, Nita Henry took the fashion world by storm at an age when most young girls have barely contemplated a career path. Working as a seamstress from age 15 and then absorbing the fundamentals of the fashion industry as a model, the young woman from Christchurch &ndash; with no formal training but loads of talent, confidence and practical experience &ndash; was designing and making leatherwear for shops throughout New Zealand and Australia by th [...] ]]></description><content:encoded><![CDATA[<div class="paragraph" style="text-align:left;">Driven by a need to create and a drive to be successful, Nita Henry took the fashion world by storm at an age when most young girls have barely contemplated a career path.<br /><span style=""></span><br /><span style=""></span> Working as a seamstress from age 15 and then absorbing the fundamentals of the fashion industry as a model, the young woman from Christchurch &ndash; with no formal training but loads of talent, confidence and practical experience &ndash; was designing and making leatherwear for shops throughout New Zealand and Australia by the age of 21.<br /><span style=""></span><br /><span style=""></span></div>  <div>  <!--BLOG_SUMMARY_END--></div>  <h2 class="wsite-content-title" style="text-align:left;"><span style="">Nita Henry&rsquo;s private battle with Crohn&rsquo;s</span></h2>  <div class="paragraph" style="text-align:left;">By Kris Herbert<br />Fashion Quarterly 1999<br /> <br /><span style=""></span><br /><span style=""></span> Driven by a need to create and a drive to be successful, Nita Henry took the fashion world by storm at an age when most young girls have barely contemplated a career path.<br /><span style=""></span><br /><span style=""></span> Working as a seamstress from age 15 and then absorbing the fundamentals of the fashion industry as a model, the young woman from Christchurch &ndash; with no formal training but loads of talent, confidence and practical experience &ndash; was designing and making leatherwear for shops throughout New Zealand and Australia by the age of 21.<br /><span style=""></span><br /><span style=""></span> Throughout the 80s and into the 90s, the name, face and label of Nita Henry reflected nothing but success. The tall, confident designer was creating and overseeing the production of her own label&rsquo;s ranges as well as designing several lines a year for the tourist trade. Nita Henry garments have been worn by Rachel Hunter and The Temptations, and even the Indian from the Village People.<br /><span style=""></span><br /><span style=""></span> She was also setting records with her success in the Benson &amp; Hedges Fashion Awards. In more than a decade of entering, only one of her famously detailed entrants was not selected. In total, she received more than 20 nominations. Nita Henry won the menswear award in 1993 and had a record six selections in 1994. Four of those went on to win Highly Commended (i.e. second place) awards.<br /><span style=""></span><br /><span style=""></span> Then suddenly, in 1995, nothing. Not one entry.<br /><span style=""></span><br /><span style=""></span> At the peak of her career, Nita Henry simply vanished from the fashion scene.<br /><span style=""></span><br /><span style=""></span> What few people knew about the brilliant and ambitious designer was that behind the beautiful, successful facade of Nita Henry was a woman quietly coping with illness.<br /><span style=""></span><br /><span style=""></span> Immediately following the break-up of her first marriage at the tender age of 21, Nita fell ill. She began losing weight and there were bouts of painful diarrhoea.<br /><span style=""></span><br /><span style=""></span> A diagnosis did not come easily. Two years of frustration with shoulder-shrugging physicians led Nita to seek the advise of a naturopath. After thorough tests and questioning, she was diagnosed with colitis, which wasn&rsquo;t far from wrong.<br /><span style=""></span><br /><span style=""></span> Only in the last three years has the conclusive diagnosis come through. Nita, like thousands of other New Zealanders, suffers from a mysterious and life-threatening &ndash; although relatively unknown &ndash; inflammatory bowel disease called Crohn&rsquo;s.<br /><span style=""></span><br /><span style=""></span> There is no consensus about what causes Crohn&rsquo;s and there is no known cure.<br /><span style=""></span><br /><span style=""></span> <em style="">Basically, the digestive tract becomes inflamed and in some places plagued with ulcers.</em> This is not only excruciatingly painful, but it reduces the body&rsquo;s ability to absorb nutrients.<br /><span style=""></span><br /><span style=""></span> The treatments for Crohn&rsquo;s disease are limited even today; but in the early 80s, when the disease was relatively unheard of, medical science had nothing to offer Nita.<br /><span style=""></span><br /><span style=""></span> Yet by altering her lifestyle, controlling her diet and managing her illness with the same determination and efficiency that ruled the rest of her life, Nita Henry worked on. For 14 years she kept her illness quiet for fear of being perceived as ill or incapable.<br /><span style=""></span><br /><span style=""></span> &ldquo;I always put on a brave face and worked on,&rdquo; says Nita.<br /><span style=""></span><br /><span style=""></span> During bed-ridden periods, when the slightest movement would trigger pain, Nita would draw or stitch the meticulous, labour intensive garments that she was famous for.<br /><span style=""></span><br /><span style=""></span> &ldquo;I was basically a workaholic. I would work through pain &ndash; I would just keep forcing myself because there was either deadlines or I just didn&rsquo;t want to let people down.&rdquo;<br /><span style=""></span><br /><span style=""></span> But like many illnesses, Chrone&rsquo;s disease is susceptible to stress. The frantic pace of the fashion industry &ndash; and especially the stress of competition &ndash; proved more than Nita&rsquo;s fragile health could handle.<br /><span style=""></span><br /><span style=""></span> The reality of her illness came to a head at Christmas 1995, when Nita was finally admitted to hospital. For the next few weeks she battled through intense suffering. Despite her high threshold of pain, Nita&rsquo;s shrieks of agony would echo through the hospital. She was pumped full of morphine to control the pain, cortisone to reduce inflammation and countless other drugs. Attached to machines, Nita couldn&rsquo;t so much as get out of bed by herself.<br /><span style=""></span><br /><span style=""></span> &ldquo;There were times when I really thought I was going to die.&rdquo;<br /><span style=""></span><br /><span style=""></span> Finally she had no choice, no where to go but to accept it.<br /><span style=""></span><br /><span style=""></span> &ldquo;I had to surrender and I think that was my biggest lesson because I was such an organiser and I liked to control things.&rdquo;<br /><span style=""></span><br /><span style=""></span> She says she reached a point where she had to let go of everything, even the career she had worked so hard for.<br /><span style=""></span><br /><span style=""></span> &ldquo;It&rsquo;s a very hard thing to do, to suddenly just walk away when you&rsquo;re at the height of your career.&rdquo;<br /><span style=""></span><br /><span style=""></span> Her experience sounds horrific, but somehow the gentle, soft-spoken Nita &ndash; her illness now in remission &ndash; invokes no pity.<br /><span style=""></span><br /><span style=""></span> Somehow, she is not bitter or angry. She holds no resentment for the illness.<br /><span style=""></span><br /><span style=""></span> &ldquo;I think that what this has done for me is it&rsquo;s taught me a lot; it&rsquo;s given me a lot of compassion; and it&rsquo;s humbled me a lot &ndash; and it&rsquo;s also led me in another direction.&rdquo;<br /><span style=""></span><br /><span style=""></span> Nita&rsquo;s illness forced her to re-asses her life and decide what she really wanted to do: &ldquo;I think the main things were that I wanted to be happy, and I wanted to be well, and I wanted to really enjoy what I was doing.<br /><span style=""></span><br /><span style=""></span> &ldquo;I loved the fashion but it got to be a job after a while, after you&rsquo;ve been doing it for that long, you&rsquo;re caught in the loop and you can&rsquo;t get out.&rdquo;<br /><span style=""></span><br /><span style=""></span> Nita, now 39, is running a successful natural cosmetics business making products like the popular &ldquo;fizzy bath bombs&rdquo;.<br /><span style=""></span><br /><span style=""></span> &ldquo;I&rsquo;m still covering people&rsquo;s bodies,&rdquo; laughs Nita.<br /><span style=""></span><br /><span style=""></span> She uses her creativity to develop new products and design packaging for both her products and husband Alistair Williams&rsquo;s range of herbal soaps and shampoos.<br /><span style=""></span><br /><span style=""></span> And Nita&rsquo;s creative evolution does not end there. She recently rediscovered a childhood passion in painting and has embarked on a series of &ldquo;cosmic comic strip heroines&rdquo; using a mix of watercolours, oils, acrylics, ink and airbrushing. Each finely detailed painting also has a story explaining the mystical and extraordinary powers of her super-women.<br /><span style=""></span><br /><span style=""></span> &ldquo;I see myself in the future just doing painting full time.&rdquo;  <br /><span style=""></span><br /><span style=""></span> Always mindful that a relapse could be around the corner, Nita says practically: &ldquo;Painting is relaxing. It&rsquo;s something, if I ever really got sick again, I could do it while I&rsquo;m lying in bed.&rdquo;<br /><span style=""></span><br /><span style=""></span> The name of Nita Henry is far from gone. Many will remember her for her fashion designs. Many others are sure to see the same stylish signature of Nita Henry on art gallery walls.  <br /><span style=""></span><br /><span style=""></span> And then there are those who do not float in social circles. The little girls who arrive at her factory shop with a gold coin and leave with a smile and a fizzy bath bomb clutched in their little hands.<br /><span style=""></span><br /><span style=""></span> But maybe the most exceptional are the young Crohn&rsquo;s sufferers who will know Nita Henry as an encouraging smile over a hospital bed, telling the story of how she was once where they were and offering hope of a light at the end of the tunnel.<br /><span style=""></span><br /><span style=""></span> &ldquo;I think that is part of the purpose of it as well, so that I can help others,&rdquo; says Nita confidently. In a soft, ethereal voice she adds: &ldquo;And that&rsquo;s special.&rdquo;<br /><span style=""></span><br /><span style=""></span></div>]]></content:encoded></item></channel></rss>